Woman's Ceremonial Overskirt
Woven and embroidered textiles, produced in a number of centers in the Democratic Republic of the Congo, have long been admired for their aesthetic beauty and technical virtuosity. In their original context, the creation and appreciation of such works link everyday experience with the lavish finery of ceremonial events. European visitors to the region have never failed to comment upon their sophistication and refinement by evoking comparisons with the finest textiles known in the West. One early-eighteenth-century commentator noted: " The fabrics of these regions are truly beautiful…Some of them closely resemble velvet, others are so richly adorned with various decorations and arabesques that it is a wonder that anyone working with leaves…could make such fine and beautiful fabrics, which are every bit as good as silk"
The medium of this amazingly diverse corpus of textiles is the fiber obtained from the raffia-palm leaf, which is transformed through intensive human labor, technical skill, and creative imagination. Although distinct both geographically and chronologically, the kingdoms of the Kongo and Kuba, renowned for the excellence of their textiles, are related through their use of similar techniques of adornment. Historically the product of such labors has been worn as finery by individuals of high social rank and distributed as units of wealth and currency. As precious familial property, such works have been used in dowry payments agreed upon in marital contracts and are lavishly displayed as funerary shrouds that reflect the affluence and importance of both the deceased and his or her extended family.
The classic techniques applied by Kuba textile designers emphasize innovation yielding a dazzling number of formal solutions. Distinctive Kuba designs introduced into the repertoire are assigned names that often acknowledge the ingenuity of their creator.
The medium of this amazingly diverse corpus of textiles is the fiber obtained from the raffia-palm leaf, which is transformed through intensive human labor, technical skill, and creative imagination. Although distinct both geographically and chronologically, the kingdoms of the Kongo and Kuba, renowned for the excellence of their textiles, are related through their use of similar techniques of adornment. Historically the product of such labors has been worn as finery by individuals of high social rank and distributed as units of wealth and currency. As precious familial property, such works have been used in dowry payments agreed upon in marital contracts and are lavishly displayed as funerary shrouds that reflect the affluence and importance of both the deceased and his or her extended family.
The classic techniques applied by Kuba textile designers emphasize innovation yielding a dazzling number of formal solutions. Distinctive Kuba designs introduced into the repertoire are assigned names that often acknowledge the ingenuity of their creator.
Artwork Details
- Title: Woman's Ceremonial Overskirt
- Date: 20th century
- Geography: Democratic Republic of the Congo, Kasai River region
- Culture: Kuba peoples, Bushoong group
- Medium: Raffia palm fiber, natural dye
- Dimensions: L. 72 1/2 x W. 25 in. (184.2 x 63.5 cm)
- Classification: Textiles-Woven
- Credit Line: Bequest of John B. Elliott, 1998
- Object Number: 1999.47.73
- Curatorial Department: The Michael C. Rockefeller Wing
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
Kuba artist
early–mid-20th century
Kuba artist
first half of 20th century
Dengese artist
early–mid-20th century
Mangbetu artist
ca. 1925–50
Mangbetu artist
First half of 20th century
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.