Richmond Seminary, Staten Island, N.Y.
A rural New York view showing a three-storey white building with a peaked roof containing an attic window, set on top of a hill, surrounded by trees.At the base of the hill is a fenced field, and a house with a columned porch, a dirt road in the foreground.
When Frances "Fanny" Flora Bond Palmer moved to New York from England in 1844, she already was an accomplished artist and printmaker. Palmer and her husband Seymour initially operated a small printshop in lower Manhattan and produced this print. By the time their business closed and they moved to Brooklyn in 1849, Nathaniel Currier was commissioning drawings from Fanny. After Currier & Ives was established in 1857, Palmer became one of their staff artists and one of the leading women lithographers of the 19th century.
When Frances "Fanny" Flora Bond Palmer moved to New York from England in 1844, she already was an accomplished artist and printmaker. Palmer and her husband Seymour initially operated a small printshop in lower Manhattan and produced this print. By the time their business closed and they moved to Brooklyn in 1849, Nathaniel Currier was commissioning drawings from Fanny. After Currier & Ives was established in 1857, Palmer became one of their staff artists and one of the leading women lithographers of the 19th century.
Artwork Details
- Title: Richmond Seminary, Staten Island, N.Y.
- Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
- Printer: Francis & Seymour Palmer (American, active New York, 1844–51)
- Date: 1847–48
- Medium: Lithograph with beige tint stone and white hand coloring
- Dimensions: image: 8 9/16 x 13 7/16 in. (21.8 x 34.2 cm)
sheet: 13 1/16 x 15 11/16 in. (33.1 x 39.8 cm) - Classification: Prints
- Credit Line: The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954
- Object Number: 54.90.1022
- Curatorial Department: Drawings and Prints
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