Art/ Collection/ Art Object

The Tares (The Parables of Our Lord and Saviour Jesus Christ)

Artist:
After Sir John Everett Millais (British, Southampton 1829–1896 London)
Engraver:
Engraved and printed by Dalziel Brothers (British, active 1839–1893)
Date:
1864
Medium:
Wood engraving; proof on India paper
Dimensions:
image: 5 1/2 x 4 5/16 in. (13.9 x 10.9 cm) sheet: 7 5/16 x 6 1/16 in. (18.6 x 15.4 cm)
Classification:
Prints
Credit Line:
Rogers Fund, 1921
Accession Number:
21.68.4(3)
Not on view
It took Millais seven years to design twenty images inspired by New Testament Parables for the Dalziel Brothers, and the resulting prints are considered pinnacles of wood engraved illustration. The artist wrote to his publishers, "I can do ordinary drawings as quickly as most men, but these designs can scarcely be regarded in the same light—each Parable I illustrate perhaps a dozen times before I fix [the image]." After completing a design, Millais transferred it to a woodblock coated with "Chinese" white for skilled engravers to carve. Finally, he reviewed proofs, and final adjustments were made before the final printing.
The Parable of the Wheat and the Tares (Matthew 13: 24-30) records how "The kingdom of heaven is like a man who sowed good seed in his field; but...his enemy came and sowed tares (weeds) among the wheat." Pre-Raphaelite ideals shaped Millais's combination of detailed naturalism and down-to-earth imagery to produce a work distinctly different than most religious art of the period.
Vendor: Francis Edwards
Goldman 25 (iii)
Gleeson White English illustration: "the sixties": 1855-70. Archibald Constable & Co., London, 1903, cat. no. 119.

Gregory R. Suriano The Pre-Raphaelite Illustrators: The Published Graphic Art of the English Pre-Raphaelites and Their Associates. Oak Knoll Press, 2000, pp. 144-5, 151, ill.

Paul Goldman Beyond Decoration: The Illustrations of John Everett Millais. London, 2005, Book Illustrations, 25 (iii), pp. 13, 16, 19, 25, 44, 143.



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