Molded Vessel in the Form of a Mother and Child

On view at The Met Fifth Avenue in Gallery 453

This object in the shape of a woman cradling a baby belongs to a large assemblage of ceramic figurines, whose original purpose is enigmatic.

Its lower part was left devoid of the turquoise glaze probably to avoid sticking with other objects stacked in the kiln. One can see there the black pigment painted directly on the body. Despite it unrefined appearance, the painted decoration quite precisely defines the details of the figures, such as the woman’s headdress, braids, and cross-hatched breasts. The marks painted on her cheeks follow a Central Asian iconography and are probably related to apotropaic rituals. They might represent tattoos or scars really practiced by women, as charms or applied as a form of facial adornment.

Molded Vessel in the Form of a Mother and Child, Stonepaste; molded, painted under transparent turquoise glaze

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Molded Vessel in the Form of a Mother and Child, Stonepaste; molded, painted under transparent turquoise glaze
Molded Vessel in the Form of a Mother and Child, Stonepaste; molded, painted under transparent turquoise glaze
Molded Vessel in the Form of a Mother and Child, Stonepaste; molded, painted under transparent turquoise glaze
Molded Vessel in the Form of a Mother and Child, Stonepaste; molded, painted under transparent turquoise glaze
Molded Vessel in the Form of a Mother and Child, Stonepaste; molded, painted under transparent turquoise glaze

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