The paulownia (kiri), with its large leaves and purple flowers, figures in the literature and arts of Japan. In the early eleventh-century Japanese classic the Tale of Genji, the protagonist's mother, Kiritsubo, was identified with the part of the palace where she lived, a court planted with paulownia in large containers (tsubo). Kiritsubo died tragically young, and her loss permanently colored her young son's life.
The paulownia has been used along with the chrysanthemum as an imperial crest since the twelfth century, and it became a prestigious crest of the warrior class in the fourteenth century. Toyotomi Hideyoshi used it in the Momoyama period, when paulownia leaves and flowers also frequently occurred on the lacquers preserved at the Kōdaiji temple. In the Edo period, the Tokugawa shogunate did not use the paulownia crest, but the leaves and flowers of the paulownia still appeared as a decorative pattern in all the arts; they frequently occur in theatrical and nontheatrical garments alike.
The chōken is an unlined gauze dancing cloak usually worn for women's roles in the Noh theater. Its large sleeves are joined only slightly to the body of the garment, allowing them to move freely during the performance.
Mrs. Howard Mansfield , New York (until 1950; donated to MMA)
Palm Beach. Society of the Four Arts. "Treasured Costumes of Japan," January 3, 1970–January 31, 1970.
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part One)," 1997–98.
New York. The Metropolitan Museum of Art. "Birds, Flowers, and Buddhist Paradise Imagery in Japanese Art," February 14, 2004–June 13, 2004.
New York. The Metropolitan Museum of Art. "A Beautiful Country: Yamato-e in Japanese Art," November 20, 2010–June 5, 2011.