Known for evocative recreations of the ancient world, Alma-Tadema here represents Roman men and women of different ages enjoying a warm fall day. At left, two young men sit in companionable contemplation near an older bearded figure whose pose and expression convey stoicism. The stillness of the seated forms contrasts with the suggested movement of a young couple strolling on a path at right. The curved marble bench, or exedra, bears a Latin inscription that refers to the Emperor Hadrian and demonstrates how the artist skillfully adapted archaeological sources to add authenticity. In this case, the form is borrowed from a bench-shaped memorial-tomb on the Via dei Sepolcri at Pompeii. Visually, its curved form brings several figures into proximity without implying a specific narrative. An exquisite example of the artist’s draftsmanship, this sheet was created for the printmaker Leopold Löwenstam, who regularly etched Alma-Tadema’s compositions, and a related print was published in 1880.
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Credit Line:Purchase, Friends of Drawings and Prints Gifts and Ian Woodner Family Collection Fund, 2018
Object Number:2018.350
Inscription: Signed and inscribed lower center right: “L. Alma Tadema op CCIX”
Pilgeram & Lefèvre (British)(in 1879); William Henry Vanderbilt(by 1879); Brigadier General Cornelius Vanderbilt III, inherited from the preceding; His sale, Parke-Bernet Galleries, New York, New York, May 19, 1945, lot 307; John Bilgrey, Forest Hills; Mr. Goldwin; His sale, Christie's, New York, June 9, 1981, lot 136 (sold by the preceding); Brandt Dayton & Co., Ltd; Sotheby's, New York, May 24, 1995, lot 17; Sotheby's, New York, February 12, 1997, lot 78; Private Collection, Greenwich, CT; Vendor: Eric Gillis
Carel Vosmaer, Laurence Alma Tadema, C. J. G. Vosmaer Alma-Tadema Catalogue Raisonné (unpublished manuscript). ca. 1884, cat. no. 244.
Edward Strahan (Earl Shinn) Mr. Vanderbilt’s House and Collection: described by Edward Strahan (pseudonym). Boston, 1884, vol. III, p. 5, "The Paintings and Watercolors," Alma-Tadema: "Scene in a Roman Garden" (pencil drawing).
William Henry Vanderbilt Collection of W. H. Vanderbilt, 40 Fifth Avenue, New York. New York, 1884, cat. no. 175, p. 82, as "Scene in a Roman Garden" (Pencil Drawing), 21 x 6 in.
Rudolf Dircks Artist Gallery Series: Lawrence Alma-Tadema, R.A.. Boston, 1886, Pl. 7.
"The later works of Sir Lawrence Alma-Tadema O.M., R.A., R.W.S." The Art Journal (Christmas Supplement). Virtue & Co., December 1910, p. 30, Opus CCIX: Autumn (Pencil), 1879.
Vern Grosvenor Swanson Alma-Tadema: the painter of the Victorian vision of the ancient world. Paris, 1977, no. CCIX, p. 138, Autumn (third version), pencil, Location unknown.
Vern Grosvenor Swanson The Biography and Catalogue Raisonne of the Paintings of Sir Lawrence Alma-Tadema. London, 1990, p. 166.
Robert Verhoogt Art in Reproduction: Nineteenth-century prints after Lawrence Alma-Tadema, Josef Israëls, and Ary Scheffer. Amsterdam, 2007, pp. 450-55 (Alma-Tadema's association with Leopold Löwenstam).
"Recent Acquisitions, A Selection: 2018–20, Part II Late Eighteenth Century to Contemporary.." The Metropolitan Museum of Art Bulletin. Spring 2021, pp. 24-25, ill.
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The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.