Yorkshire

Edward Alexander Wadsworth British

Not on view

Like many of his contemporaries, Wadsworth adopted a different artistic style during the interwar period. Whereas Yorkshire Village, with its fragmented and faceted forms, embodies his Vorticist style, Yorkshire shows a more representational aesthetic and approach. In addition to the Black Country, Wadsworth depicted northern British towns, such as Yorkshire, where he had a personal connection. In this print, industry is still present—chimney stacks and smoke remain visible—yet it appears to be less disruptive than in the Black Country pieces, with industrial elements even assimilated into the town. Houses, reduced to geometric shapes, are tightly compressed into interlocking angled rows. Yorkshire can also be read as an elegiac commentary on Britain after the war, an impression reinforced by the shrouded figures on the steps.

Yorkshire, Edward Alexander Wadsworth (British, Cleckheaton, West Yorkshire 1889–1949), Woodcut

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.