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The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood
The Adoration of the Magi
Bartolo di Fredi
ca. 1390
The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground
The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground
Madonna and Child
Benvenuto di Giovanni
ca. 1470
The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
The Annunciation, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood
The Annunciation
Botticelli (Alessandro di Mariano Filipepi)
ca. 1485–92
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35
Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera on wood, gold ground
Saints Bartholomew and Simon
Master of Saint Francis
ca. 1272
A Goldsmith in his Shop, Petrus Christus Netherlandish, Oil on oak panel
A Goldsmith in his Shop
Petrus Christus
1449
The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas
The Annunciation
Hans Memling
1480–89
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510
Archangel Gabriel; The Virgin Annunciate, Gerard David Netherlandish, Oil on oak panel
Archangel Gabriel; The Virgin Annunciate
Gerard David
ca. 1510
Margaret of Austria, Jean Hey (called Master of Moulins) Netherlandish, Oil on oak panel
Margaret of Austria
Jean Hey (called Master of Moulins)
ca. 1490
Erasmus of Rotterdam, Hans Holbein the Younger (and Workshop(?)) German, Oil on linden panel
Erasmus of Rotterdam
Hans Holbein the Younger
ca. 1532
Portrait of Gerard de Lairesse, Rembrandt (Rembrandt van Rijn) Dutch, Oil on canvas
Portrait of Gerard de Lairesse
Rembrandt (Rembrandt van Rijn)
1665–67
Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger Dutch, Oil on canvas
Burgomaster Jan van Duren (1613–1687)
Gerard ter Borch the Younger
ca. 1666–67
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger Dutch, Oil on canvas
Margaretha van Haexbergen (1614–1676)
Gerard ter Borch the Younger
ca. 1666–67
Trees and Houses Near the Jas de Bouffan, Paul Cézanne French, Oil on canvas
Trees and Houses Near the Jas de Bouffan
Paul Cézanne
1885–86
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres French, Oil on canvas
Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie
Jean Auguste Dominique Ingres
1851–53
Sergeant of the Colonial Regiment, Albert Marquet French, Oil on canvas
Sergeant of the Colonial Regiment
Albert Marquet
1906–7
Nude in Front of a Mantel, Balthus (Balthasar Klossowski) French, Oil on canvas
Nude in Front of a Mantel
Balthus (Balthasar Klossowski)
1955
Goblet, Colorless (yellowish), transparent turquoise blue, and opaque brick red, yellow, and white nonlead glass. Blown, trailed, pincered, "vetro a retorti"., Façon de Venise, probably south Lowlands or Germany
Goblet
Façon de Venise, probably south Lowlands or Germany
17th century
Aquamanile in the Form of Aristotle and Phyllis, Bronze; Quaternary copper alloy (approx. 72% copper, approx. 17% zinc,<br/>approx. 6% lead, approx. 3% tin)., South Netherlandish
Aquamanile in the Form of Aristotle and Phyllis
South Netherlandish
late 14th or early 15th century
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot French, Oil on canvas
Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot
1836
Two Young Girls at the Piano, Auguste Renoir French, Oil on canvas
Two Young Girls at the Piano
Auguste Renoir
1892
Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), Paul Signac French, Oil on canvas
Evening Calm, Concarneau, Opus 220 (Allegro Maestoso)
Paul Signac
1891
Madame Roulin and Her Baby, Vincent van Gogh Dutch, Oil on canvas
Madame Roulin and Her Baby
Vincent van Gogh
1888
Before Dinner, Pierre Bonnard French, Oil on canvas
Before Dinner
Pierre Bonnard
1924
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25
Emperor Vespasian Cured by Veronica's Veil, Wool, silk, and gilt-metal-strip-wrapped silk in slit, dovetailed, and double interlocking tapestry weave., Flemish, Brussels
Emperor Vespasian Cured by Veronica's Veil
Flemish, Brussels
ca. 1510
Dish (piatto): Man Washing the Mouth of an Ass, Maiolica (tin-glazed earthenware), Italian, Deruta
Dish (piatto): Man Washing the Mouth of an Ass
Italian, Deruta
ca. 1550–60
Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware)
Armorial dish: Supper at the House of Simon the Pharisee
Maestro Giorgio Andreoli
1528
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Secretary, Martin Carlin and French, Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.
Secretary
Multiple artists/makers
ca. 1781–85
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc., workshop of Giovanni Maria Vasaro, Maiolica (tin-glazed earthenware), Italian, Castel Durante
Bowl with the Arms of Pope Julius II and the Manzoli of Bologna surrounded by putti, cornucopiae, satyrs, dolphins, birds, etc.
workshop of Giovanni Maria Vasaro
1508
Armorial tazza, Italian (Venice) or façon de Venise (Venetian-style), Colorless (slightly gray) nonlead glass; blown, pattern-molded, enameled, gilt, Venetian or façon de Venise, or French
Armorial tazza
Italian
French
1499–1514
Watch, Jacques Goullons French, Case and dial of enameled gold; hand of steel; movement of brass, partly gilded, and steel
Watch
Jacques Goullons
ca. 1645–48
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
Tabernacle frame
del Tasso
ca. 1530
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Bernard van Orley
Pieter de Pannemaker
ca. 1525–28
Standing Cup and Cover Supported by an Enchained Turk, Jade (nephrite), aragonite, chalcedony, banded agate, gold, silver gilt, diamonds, rubies, garnets, enamel, and paint., German, perhaps Frankfurt-am-Main
Standing Cup and Cover Supported by an Enchained Turk
German, perhaps Frankfurt-am-Main
ca. 1705–11