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Showing 30 results for Ifugao

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Bulul (male rice deity figure), Ifugao artist, Wood, Ifugao people — Bulul (male rice deity figure)
Ifugao artist
19th century or earlier

Helmet (Oklop), Wood, fiber, Ifugao — Helmet (Oklop)
Ifugao
late 19th–early 20th century

Rice Deity (Bulul), Wood, fiber, shell, Ifugao — Rice Deity (Bulul)
Ifugao
19th–early 20th century

Spoon, Wood, Luzon Island — Spoon
Luzon Island
19th–early 20th century

Bowl, Wood, Luzon Island — Bowl
Luzon Island
late 19th–early 20th century

Ladle, Wood, Luzon Island — Ladle
Luzon Island
late 19th–early 20th century

Spoon, Wood, Luzon Island — Spoon
Luzon Island
mid to late 20th century

Necklace (Palangapang [?]), Pearl shell, fiber, Luzon Island — Necklace (Palangapang [?])
Luzon Island
late 19th–mid-20th century

Figure, One of a Pair

Ifugao people

Late 19th–early 20th century

Figure, One of a Pair

Ifugao people

Late 19th–early 20th century

Hotei Pointing at the Moon, Fūgai Ekun Japanese, Hanging scroll; ink on paper, Japan — Hotei Pointing at the Moon
Fūgai Ekun
1650

Portrait of Daruma, Fūgai Ekun Japanese, Hanging scroll; ink on paper, Japan — Portrait of Daruma
Fūgai Ekun
early 17th century

Box with Design of “Evening Face” (Yūgao) Flowers, Ogawa Haritsu (Ritsuō) Japanese, Bottle gourd; gold, red takamaki-e, mother-of-pearl, tin, ceramic inlay, Japan — Box with Design of “Evening Face” (Yūgao) Flowers
Ogawa Haritsu (Ritsuō)
second half of 19th century

Picture Album by Ōson (Hōitsu) (Ōson fuga), Sakai Hōitsu 酒井抱一 Japanese, Woodblock printed book; ink and color on paper, Japan — Picture Album by Ōson (Hōitsu) (Ōson fuga)
Sakai Hōitsu 酒井抱一
1817

Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao), Tosa School Japanese, Matted painting; ink and color on silk, Japan — Scene from The Tale of Genji: Chapter 4, "Evening Face" (Yūgao)
Tosa School
17th century

Noh Costume (Karaori) with Cypress Fans and Moonflower (Yūgao) Blossoms, Twill-weave silk with brocading in silk and supplementary-weft patterning in silk and metallic thread, Japan — Noh Costume (Karaori) with Cypress Fans and Moonflower (Yūgao) Blossoms
Japan
18th–early 19th century

''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase), Utagawa Kuniyoshi Japanese, Woodblock ōban print (nishiki-e); ink and color on paper, Japan — ''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase)
Utagawa Kuniyoshi
1845–46

"Evening Faces" chapter from The Tale of Genji (Genji monogatari), Kawamata Tsunemasa Japanese, Hanging scroll; ink and color on paper, Japan — "Evening Faces" chapter from The Tale of Genji (Genji monogatari)
Kawamata Tsunemasa
18th century

The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki)
, Tsukioka Yoshitoshi Japanese, Hanging scroll; ink and color on silk, Japan — The Spirit of the Deceased Yūgao Entwined in Moonflower Vines, based on the print “The Lady of the Evening Faces,” from the series One Hundred Aspects of the Moon (Tsuki hyakushi: Genji Yūgao no maki)
Tsukioka Yoshitoshi
ca. 1892

Fragment, Twill-weave silk with brocading in silk and supplementary weft patterning in silk (karaori), Japan — Fragment
Japan
18th century

Flight into Egypt (Fuga deiparae in Aegyptum), from "The Large Landscapes", Johannes van Doetecum I Netherlandish, Etching and engraving; second state of two — Flight into Egypt (Fuga deiparae in Aegyptum), from "The Large Landscapes"
Multiple artists/makers
ca. 1555–56

Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses', Antonio Tempesta Italian, Etching — Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'
Antonio Tempesta
1606

Jesús Bruno Martinez escaping from jail, from a broadside entitled 'La Fuga de Jesús Bruno Martinez de la Gárcel de Belen', José Guadalupe Posada Mexican, Type-metal engraving — Jesús Bruno Martinez escaping from jail, from a broadside entitled 'La Fuga de Jesús Bruno Martinez de la Gárcel de Belen'
José Guadalupe Posada
ca. 1880–1910

Cuneiform tablet: promissory note for silver, Ebabbar archive, Clay, Assyrian — Cuneiform tablet: promissory note for silver, Ebabbar archive
Assyrian
ca. 626 BCE

Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), plate 67 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)

Antonio Tempesta

Willem Jansz.

Published after 1606

Sampler, Julia Ann Fitch American, Silk embroidery on linen, American — Sampler
Julia Ann Fitch
1807

Activities of the Twelve Months, Sakai Hōitsu Japanese, Eleven hanging scrolls from a set of twelve; ink and color on silk, Japan — Activities of the Twelve Months
Sakai Hōitsu
late 1790s

Poster advertising a free night course to learn printmaking and bookbinding, Francisco Díaz de León Mexican, Offset lithograph, woodcut, backed with linen — Poster advertising a free night course to learn printmaking and bookbinding
Francisco Díaz de León
1937–1939

Beauty on a Veranda in Snow, Sakai Hōitsu 酒井抱一 Japanese, Hanging scroll; ink and color on silk, Japan — Beauty on a Veranda in Snow
Sakai Hōitsu 酒井抱一
ca. 1794–95

Handscroll of Ten Homoerotic (Nanshoku) Scenes, Miyagawa Chōshun 宮川長春 Japanese, Handscroll; ink and colors on silk, Japan — Handscroll of Ten Homoerotic (Nanshoku) Scenes
Miyagawa Chōshun 宮川長春
early 18th century