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Paris, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially fire-gilt, silver inlay, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
ca. 1518–1524
Striding Pan, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Andrea Briosco, called Riccio
1530–1539
Rothschild lamp, Andrea Briosco, called Riccio  Italian, Bronze, on a later wood base, Italian, Padua
Andrea Briosco, called Riccio
ca. 1510–20
Alexander the Great (?), Turquoise, enamel, gold, probably Italian
probably Italian
ring: mid-16th century; cameo: early Hellenistic 4th century BCE
Virgin and child, Niccolò Roccatagliata  Italian, Bronze, Italian, Venice
Niccolò Roccatagliata
early 17th century
Banquet of the Gods, Guglielmo della Porta  Italian, Gold, lapis lazuli, carnelian, Italian, Rome
Designer Guglielmo della Porta
Probably cast by Antonio Gentili (Antonio da Faenza)
after 1585
The Battle of Tunis, Giovanni Bernardi da Castel Bolognese  Italian, Rock crystal, gold enamel, Italian, Faenza
Giovanni Bernardi da Castel Bolognese
ca. 1544
Bona Sforza (1493–1557), Queen of Poland, Giovanni Jacopo Caraglio  Italian, Sardonyx, with inlaid gold and silver details; mounted in 19th century frame as a pendant in gold, with enamel, pearl and ruby, Polish, Krakow cameo with French frame
Cameo by Giovanni Jacopo Caraglio
cameo ca. 1530–40, frame 19th century
Standing boy, Andrea Mantegna  Italian, Bronze, silver inlay (eyes), on a later porphyry and ormolu base, Italian, probably Mantua
After a model by Andrea Mantegna
Former Attribution Workshop of Andrea del Verrocchio
late 15th–early 16th century
Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice
Master of the Barbarigo Reliefs
ca. 1520
Lion Hunt, Moderno (Galeazzo Mondella)  Italian, Bronze, Italian
Moderno (Galeazzo Mondella)
16th century
Saint George and the Dragon, Gian Francesco Enzola  Italian, Bronze, Italian, Parma
Manner of Gian Francesco Enzola
late 15th century
Fortuna, Giambologna  Netherlandish, Bronze, Italian, Florence
After a model by Giambologna
Possibly by Antonio Susini
early 17th century
Crouching Venus, Giambologna  Netherlandish, Bronze, Italian, Florence
After a model by Giambologna
17th century
Trotting horse, Giambologna  Netherlandish, Bronze, Italian, Florence
Modeler After a model by Giambologna
probably 1587–91
Christ and the Two Thieves Crucified, Michelangelo Buonarroti  Italian, Bronze, Italian, probably Rome
Multiple artists/makers
ca. 1560–70
The Judgment of Solomon, Agate, probably Netherlandish
probably Netherlandish
mid-16th century
Sleeping shepherdess in a moonlit landscape, Alessandro Masnago  Italian, Agate, Italian, Milan
Alessandro Masnago
probably late 16th century
Bust of Christ, Bronze, Italian, Rome
Italian, Rome
late 16th century
Mars and Venus Trapped by Vulcan, Guglielmo della Porta  Italian, Gilt bronze, Italian
After Guglielmo della Porta
late 16th century
The Entry of Christ into Jerusalem, Valerio Belli (Il Vicentino), Rock crystal, Italian, Vicenza
Valerio Belli (Il Vicentino)
ca. 1531–33
Triton and Nereid, Andrea Briosco, called Riccio  Italian, Bronze, Italian, Padua
Possibly workshop of Andrea Briosco, called Riccio
after 1532–before ca. 1550
Anointment of the dead Christ, Fra Domenico Portigiani, Bronze, Italian, Florence
Probably cast by Fra Domenico Portigiani
After a model by Giambologna
17th century?
Saint John, Antonio Susini  Italian, Bronze, Italian, Florence
Model and bronze cast by Antonio Susini
Designer Possbily after a design by Giambologna
1596
Saint Matthew, Antonio Susini  Italian, Bronze, Italian, Florence
Model and cast by Antonio Susini
Designer Possibly after a design by Giambologna
1596
Perseus with the head of Medusa, and Phineus, Guglielmo della Porta  Italian, Bronze, light and dark brown patina, Italian, Rome
Guglielmo della Porta
16th century
The risen Christ, Antonio Susini  Italian, Bronze, Italian, Florence
Model and cast by Antonio Susini
Designer Probably after a design by Giambologna
1596
Seated satyr with silvered eyes, Andrea Briosco, called Riccio  Italian, Bronze, silver inlay (eyes), Italian, Padua
Andrea Briosco, called Riccio
second quarter of the 16th century
Triumph of Neptune, Alvise of Padua, Bronze, Italian, Venice
Manner of Alvise of Padua
ca. 1515–25
Jupiter, Benvenuto Cellini  Italian, Bronze, Italian, probably Florence
Modeler After a model by Benvenuto Cellini
Probably cast by Pietro da Barga
late 16th century
Astronomy, Giambologna  Netherlandish, Bronze, Italian, Florence
After a model by Giambologna
17th century
Farnese Hercules, Pietro da Barga  Italian, Bronze, Italian, Florence
Modeler After a model by Pietro da Barga
modeled ca. 1576; cast 17th century
Torch-bearing arm, Bronze, traces of gilding, Possibly Italian
Possibly Italian
late 16th century?
David with the head of Goliath, Bartolomeo Bellano  Italian, Bronze, later oil gilding, Italian, Padua
Bartolomeo Bellano
1470–80
Emperor Antoninus Pius, Antico (Pier Jacopo Alari Bonacolsi)  Italian, Bronze, partially oil-gilt, silver inlay, on serpentinite socle, Italian, Mantua
Antico (Pier Jacopo Alari Bonacolsi)
1519–24
Crouching Venus, Giambologna  Netherlandish, Bronze, Italian, Florence
After a model by Giambologna
17th century
Fortuna, Giambologna  Netherlandish, Bronze, Italian or Northern Europe (?)
After a model by Giambologna
17th-18th Century (?)

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The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.
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