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24 results for Master of the Třeboň Altarpiec
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The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints), Master of the Burg Weiler Altarpiece German, Oil on wood, gold ground, German
The Burg Weiler Altar Triptych (Altarpiece with the Virgin and Child and Saints)
Master of the Burg Weiler Altarpiece
ca. 1470
Saints Bartholomew and Simon, Master of Saint Francis Italian, Tempera on wood, gold ground
Saints Bartholomew and Simon
Master of Saint Francis
ca. 1272
The Penitence of Saint Jerome, Joachim Patinir Netherlandish, Oil on wood
The Penitence of Saint Jerome
Joachim Patinir
ca. 1515
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona Italian, Marble (Carrara marble), Italian
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona
1434
Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood
Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1440
Saint Bernardino, Sano di Pietro (Ansano di Pietro di Mencio) Italian, Tempera and gold on wood
Saint Bernardino
Workshop of Sano di Pietro (Ansano di Pietro di Mencio)
ca. 1460–70
Madonna and Child with Nine Angels, Segna di Buonaventura Italian, Tempera on wood, gold ground
Madonna and Child with Nine Angels
Segna di Buonaventura
ca. 1315
The Crucifixion, Segna di Buonaventura Italian, Tempera on wood, gold ground
The Crucifixion
Segna di Buonaventura
ca. 1315
Saint Francis, Sano di Pietro (Ansano di Pietro di Mencio) Italian, Tempera on wood, gold ground
Saint Francis
Sano di Pietro (Ansano di Pietro di Mencio)
1447?
Relief of Saint Lawrence Presenting the Poor, Master of the Sonnenberg-Künigl Altar Austrian, White or stone pine with paint and gilding, Austrian
Relief of Saint Lawrence Presenting the Poor
Master of the Sonnenberg-Künigl Altar
ca. 1490
Annunciation Triptych (Merode Altarpiece), Robert Campin Netherlandish, Oil on oak, Netherlandish
Annunciation Triptych (Merode Altarpiece)
Workshop of Robert Campin
ca. 1427–32
The Annunciation, Luca Giordano Italian, Oil on canvas
The Annunciation
Luca Giordano
1672
Resurrection Story with Patrons, Kara Walker American, Etching with aquatint, sugar-lift, spit-bite and dry-point, Printed on Hahnemuhle Copperplate Bright White 400gsm paper
Resurrection Story with Patrons
Kara Walker
Printer Gregory Burnet
2017
Saint Bernardino, Sano di Pietro (Ansano di Pietro di Mencio) Italian, Tempera on wood, gold ground
Saint Bernardino
Sano di Pietro (Ansano di Pietro di Mencio)
1447?
The Descent from the Cross, Master of the Holy Blood Netherlandish, Oil on wood
The Descent from the Cross
Master of the Holy Blood
San Zaccaria, Venice, Thomas Struth German, Chromogenic print
San Zaccaria, Venice
Thomas Struth
1995
The Mass of St. Gregory, Wood, polychromed, gilt and silvered, Spanish, Castilian
The Mass of St. Gregory
Spanish, Castilian
1550–60
Virgin Adoring the Christ Child with Saint John the Baptist (recto); The Holy Family with Saint John the Baptist (verso), Agnolo del Mazziere Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on off-white paper washed pale ochre-pink
Virgin Adoring the Christ Child with Saint John the Baptist (recto); The Holy Family with Saint John the Baptist (verso)
Agnolo del Mazziere
ca. 1500–1515
Virgin and Child Attended by Angels, Filippino Lippi Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache
Virgin and Child Attended by Angels
Attributed to Filippino Lippi
1457/58–1504
Elijah in the Fiery Chariot, Master of the Barbarigo Reliefs, Bronze, partially oil-gilt, Italian, Venice
Elijah in the Fiery Chariot
Master of the Barbarigo Reliefs
ca. 1520
Untitled, Jasper Johns American, Ink on paper or plastic, 24 sheets
Untitled
Jasper Johns
2018
Sheet of Figure Studies and Ornamental Motifs (recto and verso), Vincenzo Tamagni Italian, Pen and brown ink over leadpoint
Sheet of Figure Studies and Ornamental Motifs (recto and verso)
Vincenzo Tamagni
1520–30
Pope Innocent X, Alessandro Algardi Italian, Bronze, on a later plinth, Italian, Rome
Pope Innocent X
After a composition by Alessandro Algardi
ca. 1690
Christ at the Column, Delli brothers Italian, Pen with brown and black carbon ink, brush with gray wash, watercolor, and gouache on parchment; inscriptions in brown ink of a different type
Christ at the Column
Delli brothers
ca. 1440–70