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1-42 of 164,182 results for The Frick Collection
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Salisbury Cathedral from the Bishop's Grounds, John Constable British, Oil on canvas
Salisbury Cathedral from the Bishop's Grounds
John Constable
ca. 1825
Seated satyr with a shell, Andrea Briosco, called Riccio Italian, Bronze, Italian
Seated satyr with a shell
Workshop of Andrea Briosco, called Riccio
after 1600
Pashmina Carpet Fragment, Silk (warp and weft), pashmina wool (pile); asymmetrically knotted pile
Pashmina Carpet Fragment
first half 17th century
The Crucifixion, Master of the Codex of Saint George Italian, Tempera on wood, gold ground, Italian
The Crucifixion
Master of the Codex of Saint George
ca. 1330–35
The Adoration of the Shepherds, Bartolo di Fredi Italian, Tempera on poplar, gold ground, Italian
The Adoration of the Shepherds
Bartolo di Fredi
1374
The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers Franco-Netherlandish, Tempera, gold, and ink on vellum, French
The Belles Heures of Jean de France, duc de Berry
The Limbourg Brothers
1405–1408/1409
The Rest on the Flight into Egypt, Gerard David Netherlandish, Oil on wood
The Rest on the Flight into Egypt
Gerard David
ca. 1512–15
The Cloisters Cross, Walrus ivory, British
The Cloisters Cross
British
ca. 1150–60
The Antioch "Chalice", Silver (inner cup) and silver with gilding (outer cup and foot), Byzantine
The Antioch "Chalice"
Byzantine
500–550
The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver
The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35
Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation., Reinhold Vasters (frame) German, Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass.
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Italian
second half 16th century (panels); ca. 1865–90 (frame)
The Adoration of the Magi, Bartolo di Fredi Italian, Tempera and gold on wood
The Adoration of the Magi
Bartolo di Fredi
ca. 1390
Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
Adoration of the Magi from Seven Scenes from the Life of Christ
Austrian
ca. 1390
The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground
The Assumption of the Virgin
Bernardo Daddi
1337–38
Plaque with the Pentecost, Champlevé enamel and gilded copper, South Netherlandish
Plaque with the Pentecost
South Netherlandish
ca. 1150–75
The Cloisters Playing Cards, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, South Netherlandish
The Cloisters Playing Cards
South Netherlandish
ca. 1475–80
Bust of the Virgin, Terracotta with paint, Bohemian
Bust of the Virgin
Bohemian
ca. 1390–95
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
The Annunciation, Botticelli (Alessandro di Mariano Filipepi) Italian, Tempera and gold on wood
The Annunciation
Botticelli (Alessandro di Mariano Filipepi)
ca. 1490
The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood
The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus, Gerard David Netherlandish, Oil on oak panel
Christ Carrying the Cross, with the Crucifixion; The Resurrection, with the Pilgrims of Emmaus
Gerard David
ca. 1510
Plaque with Saint John the Evangelist, Elephant ivory, Carolingian
Plaque with Saint John the Evangelist
Carolingian
early 9th century
The Coronation of the Virgin, Niccolò di Buonaccorso Italian, Tempera on wood, gold ground
The Coronation of the Virgin
Niccolò di Buonaccorso
ca. 1380
Commode, André Charles Boulle French, Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble, French
Commode
André Charles Boulle
ca. 1710–20
Plaque with the Holy Women at the Sepulchre, Elephant ivory, North Italian
Plaque with the Holy Women at the Sepulchre
North Italian
early 10th century
Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas, Pot-metal glass and vitreous paint, French
Saint Nicholas Accuses the Consul from Scenes from the Life of Saint Nicholas
French
ca. 1200–1210
The Annunciation, Hans Memling Netherlandish, Oil on panel, transferred to canvas
The Annunciation
Hans Memling
1480–89
The Nativity, Lorenzo Monaco (Piero di Giovanni) Italian, Tempera and gold on wood
The Nativity
Lorenzo Monaco (Piero di Giovanni)
ca. 1406–10
Booklet with Scenes of the Passion, Elephant ivory, polychromy, and gilding, North French (carving); Upper Rhenish (painting)
Booklet with Scenes of the Passion
North French (carving); Upper Rhenish (painting)
ca. 1300 (carving); ca. 1310–20 (painting)
Saint Anthony the Abbot in the Wilderness, Osservanza Master Italian, Tempera and gold on wood
Saint Anthony the Abbot in the Wilderness
Osservanza Master
ca. 1440
A Knight of the d'Aluye Family, Limestone, French
A Knight of the d'Aluye Family
French
after 1248–by 1267
The Hours of Jeanne d'Evreux, Queen of France, Jean Pucelle French, Grisaille, tempera, and ink on vellum, French
The Hours of Jeanne d'Evreux, Queen of France
Jean Pucelle
ca. 1324–28
Theodosius Arrives at Ephesus, from a Scene from the Legend of the Seven Sleepers of Ephesus, Pot-metal glass, vitreous paint, French
Theodosius Arrives at Ephesus, from a Scene from the Legend of the Seven Sleepers of Ephesus
French
ca. 1200–1210
The Afternoon Meal (La Merienda), Luis Meléndez Spanish, Oil on canvas
The Afternoon Meal (La Merienda)
Luis Meléndez
ca. 1772
Armorial dish: Supper at the House of Simon the Pharisee, Maestro Giorgio Andreoli Italian, Maiolica (tin-glazed earthenware)
Armorial dish: Supper at the House of Simon the Pharisee
workshop of Maestro Giorgio Andreoli
1528
Dish: The Destruction of the Hosts of Pharaoh, Master IC (probably Jean Court) or French, Limoges, Painted enamel on copper, partly gilt.
Dish: The Destruction of the Hosts of Pharaoh
Master IC (probably Jean Court)
Jean Cour (or Court)
probably early 17th century
Roundel with the Temptation of Saint Anthony, Colorless glass, vitreous paint and silver stain, German
Roundel with the Temptation of Saint Anthony
German
1532
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless, Tempera, gold, and ink on parchment, Spanish
Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless
Spanish
ca. 1180
The Goddess Durga Slaying Mahisha, Copper alloy, Nepal
The Goddess Durga Slaying Mahisha
Nepal
14th century
The Village, Fernand Léger French, Oil on canvas
The Village
Fernand Léger
1914
The Last Supper, Bernard van Orley Netherlandish, Wool, silk, silver-gilt thread.
The Last Supper
Designed by Bernard van Orley
Probably woven by Pieter de Pannemaker
ca. 1525–28