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1-42 of 1,003 results for The Qianlong Emperor's Southern Inspection Tour, Scroll Six: Entering Suzhou along the Grand Canal
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The Qianlong Emperor's Southern Inspection Tour, Scroll Six: Entering Suzhou along the Grand Canal, Xu Yang and assistants Chinese, Handscroll; ink and color on silk, China
Xu Yang
dated 1770
View of West Lake, Kusumi Morikage  Japanese, Pair of six-panel folding screens; ink and color on paper, Japan
Kusumi Morikage
mid- to late 17th century
The Imado Bridge at the Foot of Mount Matsuchi, Utagawa Hiroshige  Japanese, Hanging scroll; ink and color on silk, Japan
Utagawa Hiroshige
early 19th century
Nihonbashi in Edo (Edo Nihonbashi), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai  Japanese, Woodblock print; ink and color on paper, Japan
Katsushika Hokusai
ca. 1830–32
Arrival of the Europeans, Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Japan
Japan
first quarter 17th century
The Qianlong Emperor's Southern Inspection Tour, Scroll Four: The Confluence of the Huai and Yellow Rivers, Xu Yang and workshop Chinese, Handscroll; ink and color on silk, lacquer box, China
Xu Yang
dated 1770
Eight Views of Ōmi (Ōmi hakkei), Soga Shōhaku  Japanese, Six-panel folding screen; ink and paper, Japan
Soga Shōhaku
ca. 1762–66
Imperial Carts (Gosho guruma), Six-panel folding screen; ink, color, gold, and gold leaf on paper, Japan
Japan
mid-17th century
Sumiyoshi Taisha Screen
, Unidentified artist, Six-panel folding screen; ink, color, silver, and gold leaf on paper, Japan
Unidentified artist
early 17th century
View of Fukagawa, Edo, Suzuki Harunobu  Japanese, Woodblock print; ink and color on paper, Japan
Suzuki Harunobu
ca. 1764
Jinshan Island and West Lake, Kano Sanraku  Japanese, Pair of six-panel folding screens; ink, color, and gold on paper, Japan
Kano Sanraku
1630
Meeting between Emperor Wen and Fisherman Lü Shang, Kano Takanobu  Japanese, Pair of six-panel folding screens; ink, color, and gold on gilded paper, Japan
Attributed to Kano Takanobu
ca. 1600
Landscape with Palace, Hanging scroll; ink and color on silk, China
China
Illustration of the Imperial Carriage (Gohōren no zu), Utagawa Kunitoshi  Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan
Utagawa Kunitoshi
1889
Fishing Village, Andō Baiho  Japanese, Six-panel folding screen; color on silk, Japan
Andō Baiho
19th century
Landscape of the Four Seasons, Unkoku Tōgan  Japanese, Pair of six-panel folding screens; ink, color, and gold dust on paper, Japan
Unkoku Tōgan
late 16th–early 17th century
Travels through Mountains and Fields, Yosa Buson  Japanese, Pair of six-panel folding screens; ink and color on silk, Japan
Yosa Buson
ca. 1765
A Tang Palace, Qiu Ying  Chinese, Hanging scroll; ink and color on silk, China
Attributed to Qiu Ying
Ryogoku Bridge, Kuwagata Keisai  Japanese, Woodblock print; ink and color on paper, Japan
Kuwagata Keisai
ca. 1780
Scenes in and around the Capital, Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Japan
Japan
17th century
Map of the Grand Canal from Beijing to the Yangzi River, Unidentified artist, Handscroll; ink and color on silk, China
Unidentified artist
late 18th or early 19th century
Boat of Good Fortune, Teisai Hokuba  Japanese, Woodblock print (surimono); ink and color on paper, Japan
Teisai Hokuba
A Distant View of Yokohama from Kanagawa (Kanagawa yōri Yokohama...ken no zu), Utagawa Yoshitora  Japanese, Triptych of woodblock prints; ink and color on paper, Japan
Utagawa Yoshitora
5th month, 1860
Going Upriver on the Qingming Festival, Unidentified artist Chinese, 18th century?, Handscroll; ink and color on silk, China
Unidentified artist
After Qiu Ying
Willows and Bridge, Pair of six-panel folding screens; ink, color, copper, gold, and gold leaf on paper, Japan
Japan
early 17th century
General View of Inner Geumgang, Sin Hak-gwon (artist name: Doam)  Korean, Six sheets of paper mounted as a single panel; ink and light color on paper, Korea
Sin Hak-gwon (artist name: Doam)
mid-19th century
Revised Yokohama Landscape, Utagawa (Gountei) Sadahide  Japanese, Hexaptych of woodblock prints; ink and color on paper, Japan
Utagawa (Gountei) Sadahide
2nd month, 1861
"Kogō" and "The Imperial Procession to Ōhara", from The Tale of the Heike (Heike monogatari), Pair of six-panel folding screens; ink, color, gold and gold leaf on paper, Japan
Japan
early 17th century
Landscape of the Four Seasons, Kano Chōkichi  Japanese, Pair of six-panel folding screens; ink and color on paper, Japan
Attributed to Kano Chōkichi
16th century
Dragon Boat Regatta on Jinming Lake, Wang Zhenpeng  Chinese, Handscroll; ink on silk, China
After Wang Zhenpeng
14th century (?)
The Beautiful Scenery of West Lake, Woodblock print; ink on paper with additional hand coloring, China, Suzhou
China, Suzhou
Eight Views of the Xiao and Xiang Rivers, Kano Tōun  Japanese, Handscroll; ink and color on paper, Japan
Kano Tōun
Calligraphy by Saskai Genryō
Calligraphy by Ichiki Konzan
1675
Landscapes, Tang Yin  Chinese, Eight album leaves mounted as a handscroll; ink and color on silk, China
Tang Yin
Twenty-eight Star Gods of Longevity, Rank, and Happiness, Polychrome woodblock print; ink and color on paper, China
China
19th century
Presenting the Tripod, Wang Xuehao  Chinese, Handscroll; ink on paper, China
Wang Xuehao
1803
Landscape of the Four Seasons (Eight Views of the Xiao and Xiang Rivers), Sōami  Japanese, Pair of six-panel folding screens; ink on paper, Japan
Sōami
early 16th century
Women on a Bridge Tossing Fans into a River, Six-panel folding screen; ink, color, gold, and gold leaf on paper, Japan
Japan
early 17th century
Panoramic Landscape, Utagawa (Gountei) Sadahide  Japanese, Hexaptych of woodblock prints; ink and color on paper, Japan
Utagawa (Gountei) Sadahide
19th century
Landscape, Sesson Shūkei  Japanese, Six-panel folding screen; ink on paper, Japan
Follower of Sesson Shūkei
16th century
The Six Poetic Immortals, Kubo Shunman  Japanese, Hanging scroll; ink and color on silk, Japan
Multiple artists/makers
ca. 1810
“An Imperial Excursion” (Miyuki), “A Boat Cast Adrift” (Ukifune), and “The Barrier Gate” (Sekiya), Tosa Mitsuyoshi  Japanese, Painted sliding doors (fusuma-e) remounted as a pair of four-panel folding screens; ink, color, and gold leaf on paper, Japan
Tosa Mitsuyoshi
mid-16th–early 17th century
Dragon-boat festival performance, Unidentified artist Chinese, Silk and metal thread tapestry (kesi), China
Unidentified artist
late 18th to early 19th century

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