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Connections: Olympians

Associate publisher Gwen Roginsky and her teenage daughter Ana Sofia Meneses relish the drama of the dysfunctional family that is the Olympians.

"The parenting skills of the gods sound like they were pretty nonexistent."

Associate publisher Gwen Roginsky and her teenage daughter Ana Sofia Meneses relish the drama of the dysfunctional family that is the Olympians.


Contributors

Gwen Roginsky
Associate Publisher and General Manager, Editorial Department

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More in:ConnectionsInspiration

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The Return of Neptune, John Singleton Copley  American, Oil on canvas, American
John Singleton Copley
ca. 1754
Education of the Infant Bacchus, Niccolò Amastini, Onyx, gold frame, Italian, Rome
Niccolò Amastini
first half 19th century
Minerva, Clodion (Claude Michel)  French, Terracotta, French, modeled Italy, Rome
Clodion (Claude Michel)
1766
Rape of Proserpina, Doccia Porcelain Manufactory  Italian, Hard-paste porcelain, Italian, Florence
Multiple artists/makers
ca. 1750
Marble sarcophagus with the contest between the Muses and the Sirens, Marble, Pentelic, Roman
Roman
3rd quarter of 3rd century CE
Terracotta lekythos (oil flask), Phiale Painter, Terracotta, Greek, Attic
Phiale Painter
ca. 440 BCE
Marble relief fragment with the head of Mars, Marble, Roman
Roman
early 3rd century CE
Marble votive relief fragment of goddesses, mother, nurse, and infant, Marble, Island, Greek
Greek
late 5th century BCE
Marble head of a deity, Marble, Roman
Roman
1st half of 2nd century CE
Terracotta bell-krater (bowl for mixing wine and water), Persephone Painter, Terracotta, Greek, Attic
Persephone Painter
ca. 440 BCE
Sardonyx cameo fragment with Jupiter astride an eagle, Sardonyx, Greek or Roman
Greek or Roman
1st century BCE–1st century CE
Marble sarcophagus with the Triumph of Dionysos and the Seasons, Marble, Roman
Roman
ca. 260–270 CE
Bacchanal with a Wine Vat, Andrea Mantegna  Italian, Engraving and drypoint
Andrea Mantegna
Before 1475
Juno, Anonymous, Italian, 18th century  Italian, Pen and gray ink, brush and brown wash, over traces of black chalk on cream laid paper.  Framing outline in pen and brown ink
Anonymous, Italian, 18th century
18th century
Venus and Mars Embracing as Vulcan Works at His Forge, Enea Vico  Italian, Engraving
Enea Vico
Parmigianino (Girolamo Francesco Maria Mazzola)
1543
Minerva and the Muses, Andrea Schiavone (Andrea Meldola)  Italian, Etching and drypoint
Andrea Schiavone (Andrea Meldola)
n.d.
Satyrs and Nymphs; verso: partial counterproof of Heintz's "Studies for the Flight into Egypt" in The Courtauld Gallery, London, Joseph Heintz the Elder  Swiss, Brush and black ink, red chalk, gray and sanguine washes, heightened with white gouache, over black chalk and graphite underdrawing, incised, on off-white paper prepared with yellow wash, laid down to another sheet of laid paper; verso of secondary support: partial offset of a drawing in black and red chalk
Joseph Heintz the Elder
ca. 1599
The Birth of Venus, Alexandre Cabanel  French, Oil on canvas
Alexandre Cabanel
1875
Diana the Huntress, Giampietrino (Giovanni Pietro Rizzoli)  Italian, Oil on wood
Giampietrino (Giovanni Pietro Rizzoli)
Venus and Cupid, Lorenzo Lotto  Italian, Oil on canvas
Lorenzo Lotto
1520s
The Marriage of Cupid and Psyche, Andrea Schiavone (Andrea Meldola)  Italian, Oil on wood, transferred to Masonite
Andrea Schiavone (Andrea Meldola)
ca. 1540
Venus and the Lute Player, Titian and Workshop Italian, Oil on canvas
Titian
ca. 1565–70
Mars and Venus United by Love, Paolo Veronese (Paolo Caliari)  Italian, Oil on canvas
Paolo Veronese (Paolo Caliari)
1570s