Within a landscape of towering pines, distant peaks, and roaring waterfalls are four scenes of human activity, each alluding to one of the four pursuits deemed appropriate for Chinese gentlemen: music, the board game Go, calligraphy, and painting.
Motonobu, second-generation head of the Kano School of painting, laid the groundwork for the school’s centuries of dominance over mainstream Japanese painting. One of his many achievements was the adaptation of small-scale paintings (like fans and albums) associated with specific Chinese masters to large-scale painting formats such as folding screens and panels. Here, Motonobu employs brush techniques associated with the Southern Song Chinese court painter Xia Gui (active ca. 1195–1225). ).
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Artwork Details
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琴棋書画図屏風
Title:The Four Accomplishments
Artist:Kano Motonobu 狩野元信 (Japanese, 1477–1559)
Period:Muromachi period (1392–1573)
Date:mid-16th century
Culture:Japan
Medium:Pair of six-panel folding screens; ink and color on paper
Dimensions:Image (each screen): 67 in. × 12 ft. 6 in. (170.2 × 381 cm)
Classification:Paintings
Credit Line:Dr. and Mrs. Roger G. Gerry Collection, Gift of Dr. and Mrs. Roger G. Gerry, 1991
Object Number:1991.480.1, .2
Roger G. and Peggy N. Gerry , Roslyn, NY (until 1991; donated to MMA)
Shizuoka Prefectural Museum of Art. "Great Masters of the Kano School," April 22, 1989–May 21, 1989.
New York. The Metropolitan Museum of Art. "Tea Ceremony Wares of Mino: Shino and Oribe," 1992.
New York. The Metropolitan Museum of Art. "Immortals and Sages: Fusuma Paintings from Ryoan-Ji and the Lore of China in Japanese Art," 1993.
New York. The Metropolitan Museum of Art. "No Ordinary Mortals: The Human and Not-So-Human Figure in Japanese Art," November 1, 1996–October 5, 1997.
New York. The Metropolitan Museum of Art. "The Resonant Image: Tradition in Japanese Art (Part One)," 1997–98.
New York. The Metropolitan Museum of Art. "Arts of Japan," 1998.
New York. The Metropolitan Museum of Art. "Blossoms of Many Colors: A Selection from the Permanent Collection of Japanese Art," March 21–August 9, 2000.
New York. The Metropolitan Museum of Art. "Graceful Gestures: A Decade of Collecting Japanese Art," September 29, 2001–March 10, 2002.
New York. The Metropolitan Museum of Art. "The Written Image: Japanese Calligraphy and Paintings from the Sylvan Barnet and William Burto Collection," October 1, 2002–March 2, 2003.
New York. The Metropolitan Museum of Art. "The Mighty Kano School: Orthodoxy and Iconoclasm," December 18, 2004–June 5, 2005.
New York. The Metropolitan Museum of Art. "A Sensitivity to the Seasons: Autumn and Winter," June 22–September 10, 2006.
New York. The Metropolitan Museum of Art. "Graceful Gestures: Two Decades of Collecting Japanese Art," 2007.
New York. The Metropolitan Museum of Art. "A Drama of Eyes and Hands: Sharaku's Portraits of Kabuki Actors," September 20, 2007–March 24, 2008.
New York. The Metropolitan Museum of Art. "Brush Writing in the Arts of Japan," August 17, 2013–January 12, 2014.
New York. The Metropolitan Museum of Art. "Discovering Japanese Art: American Collectors and the Met," February 14 - September 27, 2015.
New York. The Metropolitan Museum of Art. "Japan: A History of Style," March 8, 2021–April 24, 2022.
Russell, Ellen Fletcher. Roslyn Restored: The Legacy of Roger & Peggy Gerry. Albany, N.Y.: Mount Ida Press and Gerry Charitable Trust, 2004, p. 101.
Shikibu Terutada (Japanese, active mid–16th century)
mid-16th century
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