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Jungfrau und Kinde auf Thron

ca. 1130–1140
On view at The Met Cloisters in Gallery 04
Diese Schnitzerei verfügt über enorme skulpturelle Kraft, trotz des Verlusts des Kopfes von Jesus und großen Teilen des Thrones. Ursprünglich war diese Arbeit reich bemalt; Farbspuren lassen darauf schließen, dass die Jungfrau eine waldgrüne Tunika mit zinnoberroten Manschetten und einen lapislazulifarbenen Schleier trug. Das Kind trug eine gelbe Tunika über einem roten Unterrock. Sein Buch war vorne blau und an den Seiten schwarz-weiß. Das lange Gesicht der Jungfrau und die Gewänder erinnern an Skulpturen aus der Kathedrale von Saint-Lazare in Autun.

Artwork Details

Object Information
  • Titel: Jungfrau und Kinde auf Thron
  • Datum: 1130–40
  • Geografie: Burgund
  • Kultur: Französisch
  • Medium: Birke mit Farbe und Glas
  • Dimensionen: H: 102,9 cm
  • Anerkennung: The Cloisters Collection, 1947
  • Akzession Nr.: 47.101.15
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Nur verfügbar in: English
Cover Image for Enthroned Virgin and Child

Enthroned Virgin and Child

Gallery 4

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This image of the Virgin is regal and imposing: she wears a crown and sits on a throne. She also functions as a throne for her son; this is a visual expression of a theological concept—the Virgin as the seat of wisdom, the support for Christ himself. Devotion to the Virgin was an important aspect of Christianity in the European middle ages; this is the reason why we see her in so many works of art. This statue's majesty comes in part from its boldly stylized quality. Look at the relationship between the body and the garments, and the linear patterns that describe the cloth; there's a rhythmic arrangement of curves in the lower legs, and in the mantle on the Virgin's shoulders. Her face, with its large features and inlaid eyes, is powerful indeed, and her hands look strong too as they hold the Child. This statue is carved of wood, but sculptors in stone used a similar style, particularly in Burgundy around 1130.

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