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Madonna col Bambino in trono

ca. 1130–1140
On view at The Met Cloisters in Gallery 04
L’intaglio di questa immagine possiede un’enorme forza scultorea, nonostante il capo di Gesù e buona parte del trono siano andati perduti. In origine la statua era riccamente dipinta; le tracce di colore rimaste indicano che la tunica indossata dalla Madonna era di un verde bosco con polsi rosso vermiglio e il velo color lapislazzuli. Il Bambino indossava una tunica gialla sopra una veste rossa. Il libro che tiene tra le mani era blu sul davanti e bianco e nero ai lati. Il viso allungato della Madonna e il drappeggio delle vesti ricordano le statue della cattedrale di Saint-Lazare ad Autun.

Artwork Details

Object Information
  • Titolo: Madonna col Bambino in trono
  • Data: 1130-40
  • Area geografica: Borgogna
  • Cultura: Francese
  • Materiale e tecnica: Betulla con pittura e vetro
  • Dimensioni: Alt. 102,9 cm
  • Crediti: The Cloisters Collection, 1947
  • Numero d'inventario: 47.101.15
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Disponibile solo in: English
Cover Image for Enthroned Virgin and Child

Enthroned Virgin and Child

Gallery 4

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This image of the Virgin is regal and imposing: she wears a crown and sits on a throne. She also functions as a throne for her son; this is a visual expression of a theological concept—the Virgin as the seat of wisdom, the support for Christ himself. Devotion to the Virgin was an important aspect of Christianity in the European middle ages; this is the reason why we see her in so many works of art. This statue's majesty comes in part from its boldly stylized quality. Look at the relationship between the body and the garments, and the linear patterns that describe the cloth; there's a rhythmic arrangement of curves in the lower legs, and in the mantle on the Virgin's shoulders. Her face, with its large features and inlaid eyes, is powerful indeed, and her hands look strong too as they hold the Child. This statue is carved of wood, but sculptors in stone used a similar style, particularly in Burgundy around 1130.

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