宝座上的圣母子

ca. 1130–1140
On view at The Met Cloisters in Gallery 04
虽然耶稣的头部和大部分宝座都已遗失,但这件木雕作品依然传达出强大的雕塑力量。该作品原本有丰富的色彩;残留的颜料痕迹表明,圣母曾戴着天青石色的面纱,身穿一件森林绿的束腰外衣,袖口呈朱红色。圣子则穿着黄色的束腰外衣,罩着里面的红色衬衣。他手上的书有蓝色的封面,两侧分别呈白色和黑色。圣母瘦削的脸颊和飘逸的衣饰与欧坦的圣拉扎尔大教堂中的雕塑风格十分相似。

Artwork Details

Object Information
  • 标题: 宝座上的圣母子
  • 创作日期: 1130–40年
  • 地域: 勃艮第
  • 文化: 法国
  • 材料: 桦木,颜料,玻璃
  • 尺寸: 高401⁄2 英寸(102.9厘米)
  • 来源信息: 修道院分馆收藏,1947年
  • 藏品编号: 47.101.15
  • Curatorial Department: Medieval Art and The Cloisters

Audio

仅适用于: English
Cover Image for Enthroned Virgin and Child

Enthroned Virgin and Child

Gallery 4

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This image of the Virgin is regal and imposing: she wears a crown and sits on a throne. She also functions as a throne for her son; this is a visual expression of a theological concept—the Virgin as the seat of wisdom, the support for Christ himself. Devotion to the Virgin was an important aspect of Christianity in the European middle ages; this is the reason why we see her in so many works of art. This statue's majesty comes in part from its boldly stylized quality. Look at the relationship between the body and the garments, and the linear patterns that describe the cloth; there's a rhythmic arrangement of curves in the lower legs, and in the mantle on the Virgin's shoulders. Her face, with its large features and inlaid eyes, is powerful indeed, and her hands look strong too as they hold the Child. This statue is carved of wood, but sculptors in stone used a similar style, particularly in Burgundy around 1130.

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