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Мадонна с младенцем на троне

ca. 1130–1140
On view at The Met Cloisters in Gallery 04
Эта резьба обладает огромной скульптурной силой, несмотря на утрату головы Иисуса и большей части трона. Изначально работа была богато раскрашена — следы краски обозначают темно-оливкового цвета тунику Девы Марии с алыми манжетами и лазурным покрывалом. Младенец одет в желтую тунику поверх красного белья. Обложка его книги была синей с лицевой части и черно-белой по сторонам. В удлиненно овале лица Девы Марии и драпировке прослеживается близкое сходство со скульптурой из собора Сен-Лазар в Отене.

Artwork Details

Object Information
  • Название: Мадонна с младенцем на троне
  • Дата: 1130–1140 гг.
  • География: Бургундия
  • Культура: Франция
  • Материал: Береза, краска, стекло
  • Размер: Выс. 102,9 см
  • Благодарность: Коллекция музея Клойстерс, 1947
  • Номер объекта: 47.101.15
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Доступно только в: English
Cover Image for Enthroned Virgin and Child

Enthroned Virgin and Child

Gallery 4

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This image of the Virgin is regal and imposing: she wears a crown and sits on a throne. She also functions as a throne for her son; this is a visual expression of a theological concept—the Virgin as the seat of wisdom, the support for Christ himself. Devotion to the Virgin was an important aspect of Christianity in the European middle ages; this is the reason why we see her in so many works of art. This statue's majesty comes in part from its boldly stylized quality. Look at the relationship between the body and the garments, and the linear patterns that describe the cloth; there's a rhythmic arrangement of curves in the lower legs, and in the mantle on the Virgin's shoulders. Her face, with its large features and inlaid eyes, is powerful indeed, and her hands look strong too as they hold the Child. This statue is carved of wood, but sculptors in stone used a similar style, particularly in Burgundy around 1130.

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