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A Virgem e o Menino entronizados

ca. 1130–1140
On view at The Met Cloisters in Gallery 04
Embora a cabeça de Jesus e grande parte do trono tenham desaparecido, esta escultura continua sendo muito expressiva. Originalmente, foi policromada; traços de pintura indicam que a Virgem usava uma túnica verde-floresta com punhos vermelhos e véu azul, enquanto que o menino usava uma túnica amarela sobre uma saia vermelha. A capa do livro era azul e as laterais, branca e preta. O rosto alongado da Virgem e o tratamento dos trajes são comparáveis àqueles das estátuas da catedral de Saint-Lazare, em Autun.

Artwork Details

Object Information
  • Título: A Virgem e o Menino entronizados
  • Data: 1130–40
  • Geografia: França, Borgonha
  • Meio: Madeira de bétula com pintura e vidro
  • Dimensões: 102,9 cm de altura
  • Linha de créditos: Coleção Os Claustros, 1947
  • Número de acesso: 47.101.15
  • Curatorial Department: Medieval Art and The Cloisters

Audio

Disponível apenas em: English
Cover Image for Enthroned Virgin and Child

Enthroned Virgin and Child

Gallery 4

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This image of the Virgin is regal and imposing: she wears a crown and sits on a throne. She also functions as a throne for her son; this is a visual expression of a theological concept—the Virgin as the seat of wisdom, the support for Christ himself. Devotion to the Virgin was an important aspect of Christianity in the European middle ages; this is the reason why we see her in so many works of art. This statue's majesty comes in part from its boldly stylized quality. Look at the relationship between the body and the garments, and the linear patterns that describe the cloth; there's a rhythmic arrangement of curves in the lower legs, and in the mantle on the Virgin's shoulders. Her face, with its large features and inlaid eyes, is powerful indeed, and her hands look strong too as they hold the Child. This statue is carved of wood, but sculptors in stone used a similar style, particularly in Burgundy around 1130.

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