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옥좌에 앉은 성모자상

ca. 1130–1140
On view at The Met Cloisters in Gallery 04
이 조각상은 아기 예수의 머리와 옥좌의 많은 부분이 소실되었음에도 불구하고 조형의 힘이 압도적입니다. 이 작품은 제작 당시 다양한 색으로 채색되었습니다. 채색 흔적을 통해 성모는 주홍색 소매가 있는 짙은 황록색의 겉옷과 유리색 베일을 착용하고 있었음을 알 수 있으며 아기 예수는 적색 내의 위에 황색 겉옷을 입고 있었습니다. 책의 표지는 파란색이고 측면은 흑색과 백색이었습니다. 성모의 길게 표현된 얼굴과 의복의 묘사는 오툉의 성 라자르 대성당에 있는 조각 양식과 연관됩니다.

Artwork Details

Object Information
  • 제목: 옥좌에 앉은 성모자상
  • 연대: 1130– 40년
  • 지리: 부르고뉴
  • 문화: 프랑스
  • 재료: 자작나무, 채색과 유리
  • 크기: 높이: 102.9cm
  • 크레디트 라인: 클로이스터스 컬렉션, 1947
  • 작품 번호: 47.101.15
  • Curatorial Department: Medieval Art and The Cloisters

Audio

다음에서만 사용 가능: English
Cover Image for Enthroned Virgin and Child

Enthroned Virgin and Child

Gallery 4

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This image of the Virgin is regal and imposing: she wears a crown and sits on a throne. She also functions as a throne for her son; this is a visual expression of a theological concept—the Virgin as the seat of wisdom, the support for Christ himself. Devotion to the Virgin was an important aspect of Christianity in the European middle ages; this is the reason why we see her in so many works of art. This statue's majesty comes in part from its boldly stylized quality. Look at the relationship between the body and the garments, and the linear patterns that describe the cloth; there's a rhythmic arrangement of curves in the lower legs, and in the mantle on the Virgin's shoulders. Her face, with its large features and inlaid eyes, is powerful indeed, and her hands look strong too as they hold the Child. This statue is carved of wood, but sculptors in stone used a similar style, particularly in Burgundy around 1130.

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