La stanza Varengeville

ca. 1736–52, with later additions
On view at The Met Fifth Avenue in Gallery 525
Gli splendidi intagli, parzialmente ad alto rilievo, sono il pregio principale della boiserie (rivestimento ligneo) di questa stanza, che in origine si trovava in una residenza privata settecentesca di Parigi, l’Hôtel de Varengeville, tuttora esistente, sebbene molto cambiata, al numero 217 di boulevard Saint-Germain. I pannelli di legno, dipinti e dorati, sono ornati con volute a C e ad S, con ramoscelli fioriti e motivi a rocaille, ma la decorazione rimane in gran parte simmetrica e quindi non costituisce un rococò estremo. I trofei alludono a concetti e valori quali la musica, il giardinaggio, la fama militare e la gloria principesca, mentre gli uccelli dai lunghi colli posati sulle cornici a voluta degli specchi e dei pannelli murali riflettono l’interesse dell’epoca per elementi esotici.

Artwork Details

Object Information
  • Titolo: La stanza Varengeville
  • Data: ca. 1736-52 (con aggiunte posteriori)
  • Area geografica: Parigi
  • Dimensioni: 5,58 x 7,07 x 12,36 m
  • Crediti: Acquistata, donazione di Mr. Charles Wrightsman e consorte, 1963
  • Numero d'inventario: 63.228.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Disponibile solo in: English
Cover Image for 2275. Overview: Varengeville Room, Part 1

2275. Overview: Varengeville Room, Part 1

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NARRATOR: This palatial reception room epitomizes the start of the glorious era of French Rococo. This ornate style of great delicacy and refinement flourished in the mid-eighteenth century, while Louis XV was King. And some of the Museum’s most extraordinary objects from his reign are displayed here.

This opulent painted and gilded paneling once decorated the walls of the Hôtel de Varengeville, a grand townhouse in Paris. Its exuberant high-relief carving typifies early Rococo décor. The term derives from rocaille and coquillage, or decoration with irregularly shaped stones and shells. And here are such characteristic motifs as swirling S-scrolls, palmettes, and sprays of foliage. Curator Danïelle Kisluk-Grosheide.

DANIËLLE KISLUK-GROSHEIDE: Particularly noteworthy are the birds on either side of the top of the mirrors and at the top of the panels, with their necks sticking out quite three-dimensional, away from the background.

NARRATOR: Mirrors—a highly expensive commodity—punctuate the white-and-gold paneling. They serve to reflect limited light, as well as expand the sense of objects and space. Not everyone was smitten with Rococo interiors. To hear more, press play.

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