A sala Varengeville

ca. 1736–52, with later additions
On view at The Met Fifth Avenue in Gallery 525
A bela escultura, parcialmente em alto relevo, é a característica mais relevante deste boisere ( painéis revestidos de madeira) da sala, originalmente de uma das residências privadas parisienses do século XVIII, o Hôtel de Varengeville, que ainda existe, embora tenham sido feitas muitas modificações, no número 217 do boulevard Saint-Germain. Embora os painéis de madeira pintados e dourados tenham sido decorados com elaboradas volutas, ramalhetes de flores e motivos de rocaille, a decoração permanece em grande parte simétrica e, portanto, não é um rococó em todo seu apogeu. Troféus aludem aos conceitos e valores, como a música, a jardinagem, a fama militar e a glória principesca, enquanto os pássaros com pescoços longos pousados nas molduras ornadas dos espelhos e dos painéis de parede refletem o interesse do período pelo exótico.

Artwork Details

Object Information
  • Título: A sala Varengeville
  • Data: ca. 1736–52 (com adições posteriores)
  • Geografia: Paris
  • Dimensões: 5,58 x 7,07 x 12,36 m
  • Linha de créditos: Compra, doação do Sr. Charles Wrightsman e Sra., 1963
  • Número de acesso: 63.228.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

Disponível apenas em: English
Cover Image for 2275. Overview: Varengeville Room, Part 1

2275. Overview: Varengeville Room, Part 1

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NARRATOR: This palatial reception room epitomizes the start of the glorious era of French Rococo. This ornate style of great delicacy and refinement flourished in the mid-eighteenth century, while Louis XV was King. And some of the Museum’s most extraordinary objects from his reign are displayed here.

This opulent painted and gilded paneling once decorated the walls of the Hôtel de Varengeville, a grand townhouse in Paris. Its exuberant high-relief carving typifies early Rococo décor. The term derives from rocaille and coquillage, or decoration with irregularly shaped stones and shells. And here are such characteristic motifs as swirling S-scrolls, palmettes, and sprays of foliage. Curator Danïelle Kisluk-Grosheide.

DANIËLLE KISLUK-GROSHEIDE: Particularly noteworthy are the birds on either side of the top of the mirrors and at the top of the panels, with their necks sticking out quite three-dimensional, away from the background.

NARRATOR: Mirrors—a highly expensive commodity—punctuate the white-and-gold paneling. They serve to reflect limited light, as well as expand the sense of objects and space. Not everyone was smitten with Rococo interiors. To hear more, press play.

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