The Collection
The American Wing Ancient Near Eastern Art Arms and Armor The Michael C. Rockefeller Wing Asian Art The Cloisters The Costume Institute Drawings and Prints Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art Robert Lehman Collection The Libraries Medieval Art Musical Instruments Photographs Antonio Ratti Textile Center Modern and Contemporary Art

앙투안 로랑 라부아지에(1743년7ndash; 1794년)와 그의 아내(1758년– 1836년)

Jacques Louis David French

1788년

On view at The Met Fifth Avenue in Gallery 633

이 그림은 18세기의 위대한 초상화 중 하나로서 다비드가 프랑스 신고전주의의 창도자라고 환영받을 때 그려졌습니다. 라부아지에는 산소, 화약 및 물의 화학적 구성에 대한 개척적인 연구로 가장 잘 알려져 있습니다. 1789년에 그의 이론은 화학의 기초라는 책으로 출판되었습니다. 책 속의 그림은 다비드와 함께 연구를 한 것으로 여겨지는 그의 아내가 그렸습니다(그녀의 그림이 있는 화첩이 왼쪽 안락의자 위에 놓여 있음). 라부아지에는 화약국장으로서 정치적 추문에 개입되어 1789년 미술 전람회에서 그림을 빼게 되었습니다. 혁명정권에 대한 그의 헌신에도 불구하고 그는 1794년에 단두대에 오르게 되었습니다.

#5020. 앙투안 로랑 라부아지에(1743년7ndash; 1794년)와 그의 아내(1758년– 1836년)

0:00

0:00

View Transcript

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836), Jacques Louis David (French, Paris 1748–1825 Brussels), Oil on canvas

This artwork is meant to be viewed from right to left. Scroll left to view more.

Fig. 1. Painting in frame: overall

Fig. 2. Painting in frame: corner

Fig. 3. Painting in frame: angled corner

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 4. Profile drawing of frame. W 7 11/16 in. 19.5 cm (T. Newbery)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 5. Combined elemental distribution map for lead (white) and mercury (red) obtained by macro X-ray fluorescence (MA-XRF), Department of Scientific Research and Department of Paintings Conservation, The Metropolitan Museum of Art, New York. Originally published by S.A. Centeno, D. Mahon, F. Carò, and D. Pullins, "Heritage Science" (Springer Open), 2021, https://doi.org/10.1186/s40494-021-00551-y and D. Pullins, D. Mahon, and S.A. Centeno. ‘The Lavoisiers by David: Technical Findings on Portraiture at the Brink of Revolution,’ "Burlington Magazine," 2021, 163: 780–91.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 6. A.-B. Duhamel and Jean-Florent Defraine, Chapeau à la Tarare, Detail of plate 2 from "La Magasin des Modes Nouvelles" 36, November 10, 1787, hand-colored engraving, 17.9 x 19.9 cm. (Rijksmuseum, Amsterdam)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 7. Infrared Reflectogram, Department of Paintings Conservation, The Metropolitan Museum of Art, New York. Originally published by S.A. Centeno, D. Mahon, F. Carò and D. Pullins, "Heritage Science" (Springer Open), 2021, https://doi.org/10.1186/s40494-021-00551-y and D. Pullins, D. Mahon, and S.A. Centeno. ‘The Lavoisiers by David: Technical Findings on Portraiture at the Brink of Revolution,' "Burlington Magazine," 2021, 163: 780–91.

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 8. Line drawing, produced by tracing information obtained by IRR and XRF, Department of Scientific Research and Department of Paintings Conservation, The Metropolitan Museum of Art, New York. Originally published by S.A. Centeno, D. Mahon, F. Carò, and D. Pullins, "Heritage Science" (Springer Open), 2021, https://doi.org/10.1186/s40494-021-00551-y and D. Pullins, D. Mahon, and S.A. Centeno. ‘The Lavoisiers by David: Technical Findings on Portraiture at the Brink of Revolution,’ "Burlington Magazine," 2021, 163: 780–91.

제목: 앙투안 로랑 라부아지에(1743년7ndash; 1794년)와 그의 아내(1758년– 1836년)

연대: 1788년

재료: 캔버스에 유채,

크기: 259.7 × 194.6cm

크레디트 라인: 매입, 에버렛 파히를 기리는 찰스 라이츠먼 부부 기증, 1977

작품 번호: 1977.1

The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.

The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.

The Met

European Paintings at The Met

The Met's celebrated European Paintings collection encompasses more than 2,500 works of art from the thirteenth through the early twentieth century.