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"Creating the Cloisters": The Metropolitan Museum of Art Bulletin, v. 70, no. 4 (Spring, 2013)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 70 | NUMBER 4

"Creating the Cloisters"

Husband, Timothy B.
2013
48 pages
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The Cloisters marks its seventy-fifth anniversary in 2013. Since its opening on May 10, 1938, it has become a treasured landmark, celebrated for both its magnificent setting and its world-class collection of medieval art and architecture. Located in Fort Tryon Park, a verdant oasis on the northern tip of Manhattan, the highest point in New York City, the building commands sweeping views of the Hudson River and the towering Palisades on the river's opposite bank. The integrity of its design and materials, the superb craftsmanship, the intimacy of the spaces, the quiet lush cloister gardens, and the harmonious integration of the architectural sculpture create an ideal setting for the magnificent works of art it houses. This issue of the Bulletin, the first of a number of celebratory events scheduled for the anniversary year, tells the fascinating history of The Cloisters from is nascence in the early 1900s, when the "valuable and choice things" it incorporates began to be assembled in France, to opening day in 1938.

Met Art in Publication

Saint-Guilhem Cloister, Limestone, French
late 12th–early 13th century
Double Capital, Marble, French
late 15th century
Cloister, Marble, French
late 13th–14th century
Cuxa Cloister, Marble, Catalan
ca. 1130–40
Man of Sorrows, Niccolò di Tommaso  Italian, Fresco transferred to canvas, Italian
Niccolò di Tommaso
ca. 1370
Saint Roch, Oak with paint and gilding, French
early 16th century
Torso of Christ, Poplar, gesso, paint, and metal leaf, French
late 12th century
Vase in Shape of Archaic Bronze Vessel with Flowers and Birds

, Porcelain painted with colored enamels over transparent glaze and gilded (Jingdezhen ware), China
late 17th–early 18th century
Gothic Doorway, Limestone, French
ca. 1520–30
Pietà with Saint Nicholas and Saint James the Great, Limestone, French
first quarter 16th century
The Unicorn Rests in a Garden (from the Unicorn Tapestries), Wool warp with wool, silk, silver, and gilt wefts, French (cartoon)/South Netherlandish (woven)
1495–1505
The Hunters Enter the Woods (from the Unicorn Tapestries), Wool warp, wool, silk, silver, and gilt wefts, French (cartoon)/South Netherlandish (woven)
1495–1505
The Unicorn Purifies Water (from the Unicorn Tapestries), Wool warp with wool, silk, silver, and gilt wefts, French (cartoon)/South Netherlandish (woven)
1495–1505
The Unicorn Crosses a Stream (from the Unicorn Tapestries), Wool warp with wool, silk, silver, and gilt wefts, French (cartoon)/South Netherlandish (woven)
1495–1505
The Unicorn Defends Himself (from the Unicorn Tapestries), Wool warp with wool, silk, silver, and gilt wefts, French (cartoon)/South Netherlandish (woven)
1495–1505
The Hunters Return to the Castle (from the Unicorn Tapestries), Wool warp with wool, silk, silver, and gilt wefts, French (cartoon)/South Netherlandish (woven)
1495–1505
The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries), Wool warp with wool, silk, silver, and gilt wefts, South Netherlandish
1495–1505
The Unicorn Surrenders to a Maiden (from the Unicorn Tapestries), Wool warp with wool, silk, silver, and gilt wefts, French (cartoon)/South Netherlandish (woven)
1495–1505
Exterior View of the Entrance of Barnard's Cloisters, Edward Howard Suydam  American, Charcoal
Edward Howard Suydam
1927
Preliminary Design for The Cloisters - View of the West Elevation, Otto Reinhold Eggers  American, Graphite pencil in various gray tones on mat board, American
Otto Reinhold Eggers
1930
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