珀耳修斯与美杜莎的头

1804–6
On view at The Met Fifth Avenue in Gallery 548
在1787年至1801年间,卡诺瓦以梵蒂冈博物馆所藏的公元二世纪的罗马雕像《贝尔维德尔的阿波罗》为基础,雕刻了一座珀耳修斯的雕像。该雕像中的珀耳修斯挥舞着美杜莎的头颅,他在雅典娜的帮助下杀死了美杜莎。卡诺瓦在自己的工作室里展出这座雕像后,教皇庇护七世出资将其买下,放在原本放置《贝尔维德尔的阿波罗》的地方,后者暂时被拿破仑带去了法国。大都会博物馆持有的这个版本是一位名叫瓦莱丽·塔尔瑙斯卡的波兰女伯爵在那以后不久委托卡诺瓦制作的,有几处地方与原作有别。卡诺瓦的《珀耳修斯》以其在光滑中透出的庄严成为新古典主义英雄之美的典范。

Artwork Details

Object Information
  • 标题: 珀耳修斯与美杜莎的头
  • 艺术家: 安东尼奥·卡诺瓦,意大利,1757–1822年
  • 创作日期: 1804–6年
  • 材料: 大理石
  • 尺寸: 高951⁄2 英寸(242.6厘米)
  • 来源信息: 弗莱彻基金,1967年
  • 藏品编号: 67.110.1
  • Curatorial Department: European Sculpture and Decorative Arts

Audio

仅适用于: English
Cover Image for 86. Perseus with the Head of Medusa, Part 1

86. Perseus with the Head of Medusa, Part 1

Gallery 548

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PETER BELL: This is a sculpture about movement. Perseus's weight rests on his left leg, and he also moves in that same direction. So there's a sweep of motion that's highlighted by the drapery as it falls off of his shoulder.

ALICE SCHWARZ: The swag of the fabric that extends behind his body almost shows the movement of that arm that has just been raised. You almost get a sense that the arm has just come up to show off, like a trophy, the head that dangles from his hand.

NARRATOR: At first glance, you might think this sculpture shows the grisly moment after the mythical hero Perseus has beheaded Medusa, but look more closely.

ALICE SCHWARZ: The moment that's been captured should be incredibly dramatic. That he has just severed the head of perhaps the most evil thing that he has encountered.

PETER BELL: His right hand holding the sword is not in action. His stance suggests this story. It's a presentational pose. It's a sculpture about motion, but it's not the motion of killing. This could be the moment that Perseus presents the head of Medusa as a votive offering to Athena, rather than the moment in which Perseus slays the monster.

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