哈特谢普苏特狮身人面像

New Kingdom
ca. 1479–1458 B.C.
On view at The Met Fifth Avenue in Gallery 131
这尊庄严的狮身人面像造于哈特谢普苏特与其继子图特摩斯三世联合执政时期。女法老于公元前1458年过世以后,图特摩斯三世将这尊作品砸碎,连同德尔巴哈里神庙中哈特谢普苏特的其他雕像一起丢弃在采石场里。在1920年代,大都会博物馆的考古发掘者找回雕像碎片并进行复原。找回的六尊狮身人面像中有四尊大小不一,从前应该是单独伫立在神庙的庭院里。这件作品重达14900磅(6759公斤),可能是一对守护大门的狮身人面像之一,与之成对的那尊雕像的残余碎片目前仍在开罗。

Artwork Details

Object Information
  • 标题: 哈特谢普苏特狮身人面像
  • 年代: 新王国时期,第十八王朝,哈特谢普苏特与图特摩斯三世联合 执政时期
  • 创作日期: 约公元前1473–1458年
  • 地域: 底比斯,德尔巴哈里,塞内姆特石场
  • 材料: 花岗岩,彩绘
  • 尺寸: 高641⁄2 英寸(164厘米),长11英尺31⁄8 英寸(3.43米)
  • 来源信息: 罗杰斯基金,1931年
  • 藏品编号: 31.3.166
  • Curatorial Department: Egyptian Art

Audio

仅适用于: English
Cover Image for 3273. Sphinx of Hatshepsut

3273. Sphinx of Hatshepsut

0:00
0:00

This colossal sphinx depicts a female pharaoh, Hatshepsut, who ruled from 1479 to 1458 B.C. She wasn’t the only female pharaoh, but she was one of the most important ones. Here, she’s shown wearing the ceremonial false beard – which all pharaohs wore, male and female. She also has the distinctive royal nemes head cloth.

Move around the body, and you’ll notice how the sculptor has carefully observed the powerful muscles of the lion’s sides and legs. Its posture is that of a guardian: calm yet attentive – and with paws planted, ready to leap up and pounce on an enemy. Look for the animal’s tail, elegantly wrapped around a hind leg. This is not a lion’s tail; but that of a bull. A bull’s tail was worn as part of the pharaoh’s royal costume, representing his power to bring forth life.

The remains of six granite sphinxes representing Hatshepsut were excavated in the late 1920s, by curators and archaeologists from The Metropolitan Museum. They found them broken into pieces, in a quarry close to Hatshepsut’s mortuary temple. Hatshepsut’s co-ruler, and eventual successor was Thutmose the Third. Late in his reign and about twenty years after Hatshepsut’s death, he had ordered that all the statues from her temple be removed and smashed. The reconstruction of this sphinx and of many other statues from thousands of excavated fragments was a major achievement of twentieth century archaeology. The filled-in areas on this statue are pieces that were never found. There is an entire room filled with reconstructed Hatshepsut statues. It’s gallery number twelve.

    Listen to more about this artwork

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback