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A room within the Robert Lehman Collection at The Met with red walls displays framed Renaissance religious paintings, a dark ornate chest, and wooden furniture.

The Robert Lehman Collection

The Robert Lehman Collection is one of the most distinguished privately assembled art collections in the United States. Robert Lehman's bequest to The Met, a collection of extraordinary quality and breadth acquired over the course of sixty years, is a remarkable example of twentieth-century American collecting. Spanning seven hundred years of western European art, from the fourteenth to the twentieth centuries, the 2,600 works include paintings, drawings, manuscript illumination, sculpture, glass, textiles, antique frames, maiolica, enamels, and precious jeweled objects.

The collection of approximately three hundred paintings is particularly rich in the field of the Italian Renaissance, notably the Sienese school, as well as early Northern European works. Included in the 750 Old Master drawings ranging from the fifteenth to the twentieth centuries is a significant group of eighteenth-century Venetian works, as well as other distinguished Italian, French, and Northern European examples. The collection is also renowned in several areas of decorative arts: Renaissance maiolica, Venetian glass, and antique frames.

Our History

Robert Lehman's parents, Philip and Carrie Lehman, laid the foundation for the collection around 1905, when they began acquiring works of art for their recently completed townhouse on West 54th Street in New York City. Robert Lehman assembled his collection with scholarly knowledge, astute connoisseurship, and skillful negotiation of the art market. Upon his death in 1969, he bequeathed 2,600 works to The Met with the stipulation that they be exhibited as a private collection, reflecting his belief that "important works of art, privately owned, should be beyond one's own private enjoyment and [that] the public at large should be afforded some means of seeing them." A new wing, erected to display the collection, opened to the public in 1975. The Robert Lehman Wing includes a central skylit gallery surrounded by a series of rooms intended to recreate the Lehman family residence. Velvet wall coverings, draperies, furniture, and rugs evoke the ambience of private interiors and serve as a backdrop for this extraordinary collection.

Read more about the history of the collection (PDF).


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Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean Auguste Dominique Ingres  French, Oil on canvas
Jean Auguste Dominique Ingres
1851–53
Madame Félix Gallois, Jean Auguste Dominique Ingres  French, Graphite with touches of gold in oil to highlight jewelry, on buff wove paper.
Jean Auguste Dominique Ingres
1852
The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia)  Italian, Tempera and gold on wood
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445
Madame Roulin and Her Baby, Vincent van Gogh  Dutch, Oil on canvas
Vincent van Gogh
1888
Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger  Dutch, Oil on canvas
Gerard ter Borch the Younger
ca. 1666–67
Men Shoveling Chairs (Scupstoel), Vranke van der Stockt  Netherlandish, Pen and brown ink over traces of black chalk.
Circle of Rogier van der Weyden, possibly Vranke van der Stockt
1444–50
Houses on the Achterzaan, Claude Monet  French, Oil on canvas
Claude Monet
1871
Tabernacle frame, del Tasso workshop, Walnut. Carved, luminolegno., Italian
possibly del Tasso
ca. 1530
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Detail of a painting of a pale-faced woman with pink cheeks and light brown hair against a dark background.
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A woman with a contemplative expression stares back from a muted, abstract oil portrait. Soft hues of gray, beige, and pink.
Video
Curator Dita Amory, conservator Charlotte Hale, and scholar Patricia Berman explore Helene Schjerfbeck's artistic practice, career, and Nordic legacy.
March 8
Two portraits placed side by side: one realistic painting of a woman and one pale, stylized painting with softer features.
Video
Join Dita Amory, Robert Lehman Curator in Charge, Lehman Collection, and Max Hollein, Marina Kellen French Director and CEO, to virtually explore Seeing Silence: The Paintings of Helene Schjerfbeck.
Dita Amory and Max Hollein
December 18, 2025