In this preparatory drawing for the first print in the Caprichos (50.558.33), Goya wears the latest French fashions. Adopted by the emerging Spanish middle class in the 1790s, this style of dress served as a sign of both prosperous respectability and receptiveness to foreign influences. His expression suggests his critical stance toward the vices and errors he satirized in the images that followed in the Caprichos. The mannered way he represents himself—including the narrowed eyes and curved lips—also reflects his knowledge of popular and influential treatises on physiognomy and expression.
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Manuel Nogués (Spanish); Romualdo Nogués y Milagro; Valentín Carderera y Solano; Mariano Goya y Goicoechea (Spanish); Javier Goya
New York. The Metropolitan Museum of Art. "Goya in The Metropolitan Museum of Art," September 12–December 31, 1995.
The Frick Collection, New York. "The Spanish Manner: Drawings from Ribera to Goya," October 5, 2010–January 9, 2011.
Museo Nacional del Prado. "Drawings by Goya," November 19, 2019–February 16, 2020.
New York. The Metropolitan Museum of Art. "Goya’s Graphic Imagination," February 8–May 2, 2021.
Gassier and Wilson 1971, no. 452 (recto), no. 453 (verso); Gassier 1973, no. 66 (recto), no. 67 (verso)
José López-Rey Goya's Caprichos, Beauty, Reason, and Caricature. 2 vols., Princeton, 1953, I, p. 187, listed as preparatory drawing for pl. 1 of Goya's Caprichos; ii, fig. 85 (recto), fig. 86 (verso).
" I Caprichos di Goya", Sele Arte, 2, September-October 1953, repr. p. 53., fig. no. 85, I. p. 187, ill.
Goya: Drawings and Prints. Exh. cat. The Metropolitan Museum of Art, New York, 1955, Metropolitan Museum of Art, 1955, May 4-30, catalogue supplement, no. 191.
Philip Hofer Los Caprichos, by Francisco Goya y Lucientes. 1969, with introduction by Philip Hofer, New York, 1969, p. 3, recto repr. as frontispiece., fig. no. frontispiece, p. 3, ill.
Pierre Gassier, Juliet Wilson Bareau Goya His Life and Work. London, 1971, London, 1971, no. 452 (recto), no. 453 (verso).
José Gudiol Goya, 1746-1828: Biography, Analytical Study and Catalogue of His Paintings. 1971, New York, 1971, fig. 631 (recto)., fig. no. 631, ill.
Philip Troutman Goya, Francisco. Paintings, Drawings, and Prints. Folio Society. London, 1971, Selected and introduced by Philip Troutman, The Folio Society, London, 1971, frontispiece, (ill.)., fig. no. frontispiece, ill.
Eleanor Sayre, Stephanie Loeb Stepanek et al. The Changing Image: Prints by Francisco Goya. Exh. cat., Museum of Fine Arts, Boston. no. 242, Boston - Ottawa, 1974, Boston, Museum of Fine Arts (Oct. 24 - Dec. 29, 1974); Ottawa, The National Gallery of Canada (Jan. 24- March 14, 1975), "The Changing Image: Prints by Francisco Goya," catalogue by Eleanor A. Sayre, no. 34, ill., Also repr. on back cover of catalogue., fig. no. Back Cover.
A. Hyatt Mayor Goya: 67 Drawings. Exh. cat. The Metropolitan Museum of Art, New York, 1974, Metropolitan Museum of Art, 1974, no.1, recto and verso repr., fig. no. 1, ill.
Pierre Gassier The Drawings of Goya. 1975, The Sketches, Studies and Individual Drawings, New York, London, 1875, pp. 103-104, recto and verso repr., fig. no. 103, 104, pp. 103–104, ill.
Joseph Meder, Winslow Ames The Mastery of Drawing. New York, 1978, translated and revised by Winslow Ames, New York, 1978, II, p. 204, no. 213, repr. ; I, mentioned on pp. 51, and 277.
Christian Dittrich Francisco de Goya, Die Radierungen im Dresdener Jupferstich-Kabinett. Vienna, Albertina, 1978.
Jacob Bean Notable Acquisitions, 1979-1980: Drawings (Walter C. Baker Collection, and other sources). The Metropolitan Museum of Art, New York, 1980, p. 49, ill.
Alfonso E. Pérez Sánchez, Eleanor Sayre Goya and the Spirit of Enlightenment. Exh. cat. Museo del Prado, October 6-December 18, 1988 ; Museum of Fine Arts, Boston, January 18-March 26, l989 ; Metropolitan Museum of Art, New York, May 9-July 16, 1989 (English edition). Museum of Fine Arts, Boston, Boston, 1988, (English edition of exhibition catalogue: Madrid-Boston-New York), Boston, 1989, pp. 84-85, under no. 38, figs. 2 and 4 (verso and recto)., fig. no. 2 and 4, pp. 84–85, ill.
Alfonso E. Pérez Sánchez, Eleanor Sayre Goya y espíritu de la ilustración. Spanish edition of exhibition catalogue: Madrid-Boston-New York, 1988. Museum of Fine Arts, Boston, Spanish. Spain, 1988, Spanish edition of exhibition catalogue: 1989 Madrid-Boston-New York, pp.206-207, under no. 38, figs. 2 and 4 (verso and recto)., fig. no. 2 and 4, pp. 206-207, ill.
Juliet Wilson Bareau Goya - La Decada de los Caprichos (Dibujos y aquafuertes). Exh. cat. Madrid, 1992, fig. no. 1, ill.
Colta Ives, Susan Alyson Stein Goya in the Metropolitan Museum of Art. Exh. cat., September 12 - December 31. The Metropolitan Museum of Art, New York, 1995, Baticle, Jeannine. Goya. Paris: Fayard, 1992.
Delteil, Loys. Le peinture graveur illustré. Vols. 14 and 15, Francisco Goya. Paris, 1922.
Gassier, Pierre. Francisco Goya, Drawings: The Complete Albums. Translated by James Emmons and Robert Allen.
Javier Blas, José Manuel Matilla, José Miguel Medrano El libro de los Caprichos. Francisco de Goya: Dos siglos de interpretaciones (1799-1999). Catálogo de los dibujos, pruebas de estado, láminas de cobre y estampas de la primera edición. Madrid, 1999, pp. 58-63.
Jonathan Brown, Lisa A. Banner, A. Schulz et al. The Spanish Manner: Drawings from Ribera to Goya. Exh. cat., The Frick Collection, New York (October 5, 2010 - January 9, 2011). New York, 2010, pp. 129-31, no. 33 (entry by Andrew Schulz).
Mark McDonald Goya's Graphic Imagination. New York, 2021, cat. no. 17, pp. 100–1.
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