The Five Orders of Periwigs
Hogarth here applied the terminology of classical architecture to men’s wigs to satirize the divisions of British society. With mock seriousness, he arranged wig types in rows as though in an architectural treatise. Echoing the names of column capitals he labeled his specimens "Episcopal," "Old Peerian," "Aldermanic," "Lexonic," and "Queerinthian." The humor was inspired by a pompous advertisement for James Stuart’s and Nicholas Revett’s forthcoming book The Antiquities of Athens. Hogarth’s focus on the "orders" of British society had been sharpened by the September 1761 coronation of King George III and Queen Charlotte. A row of female heads at the bottom of the print refers to that event, with the queen shown at left. Her companions are differentiated not by their hairstyles, but by their coronets which identify them in descending rank as princess, duchess, countess, vis-countess and baroness.
Artwork Details
- Title: The Five Orders of Periwigs
- Artist and publisher: William Hogarth (British, London 1697–1764 London)
- Date: November 1761
- Medium: Etching; first state of two
- Dimensions: sheet: 11 7/8 x 8 5/8 in. (30.2 x 21.9 cm)
- Classification: Prints
- Credit Line: Harris Brisbane Dick Fund, 1932
- Object Number: 32.35(116)
- Curatorial Department: Drawings and Prints
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William Hogarth
ca. 1795
William Hogarth
September 30, 1747
Multiple artists/makers
1724
William Hogarth
John Beaver
after 1725
William Hogarth
after 1733
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