A Moorland Stream

Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834–1903) and Alphonse Legros (1837–1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."
Lot, his two daughters, three jars, and a donkey have been etched in the foreground; cloudy sky above the river Jordan middle and background.
"State III (H1). The highlights have been reburnished and are more dramatic."
[Source: Schneiderman, p. 415]
"Published States: First.-The plate finished as reproduced."
[Source: Harrington, p. 119]