The Revolutionist (a man holding a rifle viewed from behind)

Rufino Tamayo Mexican

On view at The Met Fifth Avenue in Gallery 692

Tamayo is one of Mexico’s best-known artists. His woodcuts from the 1920s and early 1930s are unlike anything created by his contemporaries. They represent a highly personal response to the postrevolutionary artistic agenda set by the government. The Revolutionist was created after he returned to Mexico in 1929 and began teaching at the National Art School. There, he connected with the radical ¡30 30! group, which rejected traditional art education.



Tamayo es uno de los artistas más célebres de México. Sus xilografías de la década de 1920 y principios de la de 1930 son radicalmente distintas de las creaciones de sus contemporáneos. Representan una respuesta muy personal a la agenda artística posrevolucionaria establecida por el Gobierno. Tamayo creó El revolucionario cuando regresó a México en 1929 y empezó a dar clases en la Escuela Nacional de Bellas Artes, donde se vinculó al grupo radical ¡30 30!, que rechazaba la educación artística tradicional.

The Revolutionist (a man holding a rifle viewed from behind), Rufino Tamayo (Mexican, Oaxaca 1899–1991 Mexico City), Woodcut on Japan paper

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