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More than 10,000 results for San peoples
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San peoples
20th century
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University
San Francisco State University
1994
Black-on-Black Jar, Maria Martínez  Native American, San Ildefonso Pueblo, Clay and slip, San Ildefonso, Native American
Maria Martínez
Julián Martínez
1919–20
Floor tiles (set of 350), San Marco Laterizi di Noale Pottery, Earthenware, Italian, Venice
San Marco Laterizi di Noale
1995
Gwantigi, Bamana numu (blacksmith), Wood, Bamana peoples
Bamana numu (blacksmith)
15th–17th century
Aduno Koro (Ark of the World) vessel with ancestral figures, Dogon blacksmith, Wood, Dogon peoples
Dogon blacksmith
16th–19th century
Dance crest, Ejagham artist, Wood, animal hide, cane, iron, pigment, bone or ivory, Ejagham peoples
Ejagham artist
19th–mid-20th century
Nkishi (community power figure), Songye artist and nganga (ritual specialist), Wood, copper, brass, iron, fiber, snakeskin, leather, fur, feathers, mud, resin, Songye peoples
Songye artist and nganga (ritual specialist)
19th–first half of 20th century
Court official from a commemorative altar, Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, Brass, Edo peoples
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
16th–17th century
Bata (ram) mask for a beete performance, Kwele artist, Wood, pigment, kaolin, Kwele peoples
Kwele artist
19th–first half of 20th century
Kneeling Female Figure, Ceramic, San Sabastìan
San Sabastìan
2nd century
Kneeling Female Figure, Ceramic, San Sabastìan
San Sabastìan
2nd century
Standing Female Figure, Ceramic, San Sebastián
San Sebastián
1st century
Kneeling Female Figure, Ceramic, San Sabastìan
San Sabastìan
2nd century
Kneeling Female Figure, Ceramic, San Sabastìan
San Sabastìan
2nd century
The Virgin Annunciate, Pietro Ferloni  Italian, Wool, silk (26-29 warps per inch, 10-11 per cm.), Italian, probably Rome
Pietro Ferloni
San Michele
mid-18th century
Chin-San Long
1937, printed 1962
Moses and the Tablets of the Law, Bartolomeo Terchi, Maiolica (tin-glazed earthenware), Italian, San Quirico
Bartolomeo Terchi
ca. 1720
Two-handled vase with cover, Glass, Spanish, San Ildefonso
Spanish, San Ildefonso
late 18th century
Jar, Maria Martínez  Native American, San Ildefonso Pueblo, Ceramic, San Ildefonso Pueblo
Maria Martínez
1954–56
Helmet Mask, Dan artist, Wood, pigment, Dan peoples
Dan artist
19th–mid-20th century
Gunyege face mask, Dan artist, Wood, felt, human hair, cord, iron, clay, pigment(?), tukula(?), Dan peoples
Dan artist
19th–mid-20th century
Gunyege face mask, Dan artist, Wood, pigment, kaolin, Dan peoples
Dan artist
19th–mid-20th century
Miniature Mask, Dan artist, Wood, Dan peoples
Dan artist
Late 19th–mid-20th century
Miniature Mask, Dan or Mano artist, Wood, metal, pigment, Dan peoples
Dan or Mano artist
19th–first half 20th century
Face Mask, Dan artist, Wood, cane, iron, applied organic materials, Dan peoples
Dan artist
19th–mid-20th century
Face Mask, Dan artist, Wood, Dan peoples
Dan artist
19th–late 20th century
Kagle face mask, Dan artist, Wood, brass, nails, cane, mud, Dan peoples
Dan artist
19th–late 20th century
Face Mask, Dan artist, Wood, pigment, Dan peoples
Dan artist
19th–mid-20th century
Deangle (peaceful spirit) mask, Dan artist, Wood, fiber, pigment, Dan peoples
Dan artist
19th–mid 20th century
Shepherd and Shepherdess, Playing Flute, Marco San Martino  Italian, Etching
Marco San Martino
Rattle (thafu ma luangu), Kongo peoples, wood, fiber, seeds, Congolese
Kongo peoples
19th century
Pair of Diviner's Figures, Wood, pigment, beads, iron, Baule peoples
Baule peoples
19th–mid-20th century
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1732–39
Head of the Virgin (Mater Dolorosa), Pietro Ferloni  Italian, Wool, silk (19-20 warps per inch, 8 per cm.), Italian, Rome
Multiple artists/makers
mid-18th century
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1732–39
Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1739
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata), Domenico Paradisi  Italian, Wool, silk (16-18 warps per inch, 7 per cm.), Italian, Rome
Multiple artists/makers
designed ca. 1689–93, woven 1732–39
"Brocchetta Rigata" (Striped Ewer) Carafe, Lella Vignelli  American, Sterling silver
Multiple artists/makers
1971
Lupona (royal seat), Ngongo ya Chintu, formerly known as the "Buli Master"  Democratic Republic of Congo, Wood, metal studs, Luba or Hemba peoples
Ngongo ya Chintu, formerly known as the "Buli Master"
ca. 1840–1870