Tommaso di Folco Portinari (1428–1501) y Maria Portinari (Maria Maddalena Baroncelli, nacida en 1456)

Probablemente 1470

On view at The Met Fifth Avenue in Gallery 602

Hans Memling fue el pintor más destacado de Brujas, desde 1465 hasta su muerte en 1494. Estos retratos, obras maestras del arte renacentista septentrional, representan a Tommaso y Maria Portinari, miembros de la numerosa comunidad de mercaderes italianos en Brujas, ciudad en la que Tommaso dirigió la sucursal del banco Médicis, de 1465 a 1478. Probablemente fueron encargados en 1470, en ocasión del casamiento de la pareja, cuando Maria tenía unos catorce años y Tommaso cuarenta y dos. Eran las alas de un tríptico portátil, flanqueando una imagen devocional de la Virgen y el Niño.

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges), Oil on wood — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

This artwork is meant to be viewed from right to left. Scroll left to view more.

14.40.626

14.40.627

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 1. Hypothetical reconstruction of the portraits of Tommaso and Maria Portinari (The Met, 14.40.626–27) with Hans Memling, "Virgin and Child," ca. 1470, oil on oak, 39.4 x 29.9 cm; painted surface: 37.9 x 28 cm (National Gallery, London). Reconstruction design by Timothy Newbery with Evan Read

Fig. 2. Luca della Robbia, "Virgin and Child," ca. 1455 (The Met, 14.40.685)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 3. Unknown Painter, "Isabella of Bourbon and Charles the Bold," mid-sixteenth century, oil on wood, 22 x 28.8 cm (Museum voor Schone Kunsten, Ghent)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 4. Netherlandish Painter, "Margaret of York," ca. 1468, oil on oak, 20.5 x 12 cm, (Musée du Louvre, Paris)

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Fig. 5. Hugo van der Goes, detail of Maria Portinari from the "Portinari Triptych," right wing, ca. 1477–78, oil on oak, 253 x 141 cm (Galleria degli Uffizi, Florence)

Fig. 6. Infrared reflectogram of 14.40.626

Fig. 7. Infrared reflectogram of 14.40.627

Fig. 8. X-radiograph of 14.40.626

Fig. 9. X-radiograph of 14.40.627

Fig. 10. Lead distribution map acquired by XRF imaging

Fig. 11. Copper distribution map acquired by XRF imaging; image has been enhanced to make the copper in the hennin more readily visible

Fig. 12. Mercury distribution map acquired by XRF imaging

Fig. 13. Calcium distribution map acquired by XRF imaging

Fig. 14. Photomicrograph of black band (7.5 x magnification)

Fig. 15. Mercury distribution map acquired by XRF imaging

Fig. 16. Copper distribution map acquired by XRF imaging

Fig. 17. Lead distribution map acquired by XRF imaging

Fig. 18. Photomicrograph of blue highlight in drapery (4.75x magnification)

Artwork Details

Título: Tommaso di Folco Portinari (1428–1501) y Maria Portinari (Maria Maddalena Baroncelli, nacida en 1456)

Artista: Hans Memling, neerlandés, activo 1465–1494

Fecha: Probablemente 1470

Material: Óleo sobre tabla

Dimensiones: Tommaso, dimensiones totales 44,1 x 33,7 cm, superficie pintada 42,2 x 31,8 cm; Maria, dimensiones totales 44,1 x 34 cm, superficie pintada 42,2 x 32,1 cm

Crédito: Legado de Benjamin Altman, 1913

Número de inventario: 14.40.626–27

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Tommaso di Folco Portinari (1428–1501) y Maria Portinari (Maria Maddalena Baroncelli, nacida en 1456)

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Tommaso di Folco Portinari (1428–1501) y Maria Portinari (Maria Maddalena Baroncelli, nacida en 1456)

Open Access

API

Artwork Details

Learn more about this artwork

(Re)Discover Early Met Collection Catalogues at Watson Library

The Artist Project: Christopher Noey in Conversation with Walton Ford and Nina Katchadourian

The Artist Project: Nina Katchadourian

Resources for Research

Feedback

European Paintings at The Met