Saint John the Evangelist (recto; Cartoon for a Fresco); Saint Mark (verso; Cartoon for a Fresco)

Inscription: The recto of the sheet was annotated at lower right by a sixteenth-century hand, in pen and dark brown ink script: "Cichin[o] Salviati."

Collection Gourgaud, Paris; Sale 1216: TajanApril 5, 2001, lot 16; Katrin Bellinger Kunsthandel, Munich; Vendor: Katrin Bellinger Kunsthandel , Munich

New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," January 8–March 25, 2007.

New York. The Metropolitan Museum of Art. "The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions," October 24, 2008–February 1, 2009.

New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," August 27–November 18, 2013.

New York. The Metropolitan Museum of Art. "Paper Chase: Two Decades of Collecting Drawings and Prints," December 9, 2014–March 16, 2015.

The Metropolitan Museum of Art. "Selections from the Department of Drawings and Prints: Brewster & Co.," July 30–November 13, 2019.

Catherine Monbeig Goguel, Michel Hochmann, Philippe Costamagna Francesco Salviati et la Bella Maniera. Actes des Colloques de Rome et de Paris (1998). Rome, 2001, pp. 6, 719.

Carmen C. Bambach Renaissance Drawings: Material and Function Heilbrunn Timeline of Art History. New York, October 2002.

Carmen C. Bambach, Michiel C. Plomp, Colta Ives, Perrin Stein "Recent Acquisitions, A Selection: 2001-2002." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 60, no. 2, Autumn 2002, p. 15, ill.

Catherine Monbeig Goguel "Attualità della ricerca su Francesco Salviati, dieci anni dopo la monografia di Luisa Mortari." Per la storia dell'arte in Italia e in Europa. Ed. by Mimma Pasculli Ferrara, 2004, pp. 203-204, figs. 1a-c, both recto and verso repr.

John Marciari "Review of Francesco Salviati et la Bella Maniera: Actes des colloques de Rome et de Paris" Master Drawings. vol. 43, no. 3, 2005, pp. 381, 383 notes 11-12.

Carmen C. Bambach "Tuscan Drawings of the Quattrocento and Cinquecento in the Metropolitan Museum of Art 1998-2005." Invisibile agli occhi: Atti della giornata di studio in ricordo di Lisa Venturini. Ed. by Nicoletta Baldini, Fondazione di Studi di Storia dell'Arte Roberto Longhi, Florence, 2007, fig. no. 96-97., pp. 82, 92 n.42., ill.

Carmen C. Bambach "Disegno, pittura e l'ideale del "ben finito cartone"." Il Primato del Disegno. I disegni dei grandi maestri a confronto con i dipinti della Pinacoteca di Brera: dai Primitivi a Modigliani. Ed. by Sandrina Bandera, Exh. cat. Pinacoteca di Brera, Milan, 2015, p. 21, note 51, figs. 4-5 (recto and verso repr.).