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Tughra do sultão Süleyman o Magnífico

ca. 1555–60
Not on view
A tughra (assinatura oficial do sultão) era uma expressão muito valorizada na corte otomana. Estampada em todos os decretos reais, a assinatura do sultão Suleiman, o magnífico (r. 1520–1566), é uma composição caligráfica intrincada que inclui o nome e o título do sultão, o nome de seu pai e a frase “eternamente vitorioso”. A audácia gestual do traço contrasta com a iluminação delicada, ornamentada com volutas espirais de folhas de parreira. Esta assinatura serviu como o título de um documento escrito em um rolo grande e estreito, tendo sido conservada a primeira linha escrita em letras de ouro.

Artwork Details

Object Information
  • Título: Tughra do sultão Süleyman o Magnífico
  • Data: ca. 1555–60
  • Geografia: Turquia, Istambul
  • Meio: Tinta, aquarela opaca, ouro sobre papel
  • Dimensões: 52,1 x 64,5 cm
  • Linha de créditos: Fundo Rogers, 1938
  • Número de acesso: 38.149.1
  • Curatorial Department: Islamic Art

Audio

Disponível apenas em: English
Cover Image for 906. Kids: Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520-66)

906. Kids: Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520-66)

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NAVINA HAIDAR: Believe it or not, the large painted design in blue and gold is a signature. It was the official signature – or the ‘tughra’ – of a mighty ruler: Sultan Sulaiman. So where’s Sulaiman’s name, exactly? Look at the part at the bottom, in the center. Those gracefully woven lines form Arabic letters, spelling out “Sulaiman, son of Salim Khan, ever victorious.” You’ll see more writing to the side, in gold. This gives more of the Sultan’s official titles, and commands that his orders be obeyed. Sulaiman was such an important ruler, and ruled over such a huge empire for such a long time… that today he’s known as “Sultan Sulaiman the Magnificent”. But imagine Sulaiman having to paint this design, every time he signed his name! Where’d he find the time to decorate the open spaces with all those swirling leaves and flowers? Actually, he didn’t. The sultan paid an artist to write his official decrees on paper in beautiful calligraphy, and to paint his tughra at the top.

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