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Tughra du sultan Soliman le Magnifique

ca. 1555–60
Not on view
Élevée au rang d’art noble à la cour ottomane, la tughra (signature officielle) était le sceau du sultan Soliman le Magnifique (r. 1520–1566). Cette signature stylisée, qui figurait sur tous les édits royaux, est une composition calligraphique complexe, réunissant le nom et les titres du sultan, le nom de son père et les mots « éternellement victorieux ». Les traits dynamiques de couleur foncée contrastent avec les enluminures à volutes végétales du décor. Cette signature était apposée au début d’un document en rouleau, étroit et long, dont on a préservé la première ligne, que l’on aperçoit dessous, en caractères dorés.

Artwork Details

Object Information
  • Titre: Tughra du sultan Soliman le Magnifique
  • Date: v. 1555–1560
  • Aire géographique: Turquie, Istanbul
  • Technique: Encre, gouache et or sur papier
  • Dimensions: 52,1 x 64,5 cm
  • Crédits: Fonds Rogers, 1938
  • Accession Number: 38.149.1
  • Curatorial Department: Islamic Art

Audio

Uniquement disponible en: English
Cover Image for 906. Kids: Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520-66)

906. Kids: Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520-66)

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NAVINA HAIDAR: Believe it or not, the large painted design in blue and gold is a signature. It was the official signature – or the ‘tughra’ – of a mighty ruler: Sultan Sulaiman. So where’s Sulaiman’s name, exactly? Look at the part at the bottom, in the center. Those gracefully woven lines form Arabic letters, spelling out “Sulaiman, son of Salim Khan, ever victorious.” You’ll see more writing to the side, in gold. This gives more of the Sultan’s official titles, and commands that his orders be obeyed. Sulaiman was such an important ruler, and ruled over such a huge empire for such a long time… that today he’s known as “Sultan Sulaiman the Magnificent”. But imagine Sulaiman having to paint this design, every time he signed his name! Where’d he find the time to decorate the open spaces with all those swirling leaves and flowers? Actually, he didn’t. The sultan paid an artist to write his official decrees on paper in beautiful calligraphy, and to paint his tughra at the top.

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