Design for a Gold Pendant with a Lion Grotesque Motif and a Black Pearl Surrounded by a Thin Garland of Rosettes

Drawing with a design for a gold pendant with a lion grotesque motif and a black pearl that is part of a collection of 85 drawings with figurative designs for earrings, brooches, pendants and other jewels, possibly real-sized, created with graphite and gouache and heightened with gold inside lithograph frames. These designs are all characteristic of the period between 1870 and 1900, when jewelry design saw a great degree of innovation and creativity in both style and technique. Some of the most important innovations that took place at this time included the setting of diamonds without metal on the back to reinforce the refraction of light on the cut surfaces of the stones, and the use of gold granules and cannetille (scrolls of metal strips) in the creation of fine metal surfaces. (Semi-)precious stones continued to be used in jewelry design at this time, especially with the discovery of diamond mines in South Africa, although alternative techniques, many of them inspired on ancient jewelry, were also common: Enamel in its different application techniques (including champlevé, cloisonné, and low-relief) was particularly popular. In addition to enamel, colored glass was used to add touches of color to the metallic structures that formed the base of the jewels. In general, jewelry design during this period became more complex, and the colors in nature were mimicked by the color of gemstones used for jewelry design: the designs were elaborate and relied in the natural beauty of cabochon gems, curving, and figurative designs with symbolic meaning, typical of the Arts and Crafts movement. Towards the end of the nineteenth century, the Art Nouveau movement created sinuous and organic pieces that moved away from conventional stones and put emphasis on the subtle effects of materials such as glass, horn and enamel. The European Middle Ages and the Renaissance, as well as civilizations of the Mediterranean, and even Japan, became important sources of inspiration for jewelry design at this time.

This design for a gold pendant is made up of a gold hasp from which hangs a small gold ring that holds an oval-shaped gold motif with a lion grotesque motif in the upper part, from whose mouth hangs a teardrop-shaped black pearl, framed by an oval motif surrounded by a strip of alternating small rosettes of five leaves and gold granules. The drawing is created with two different tones of gold, possibly to show different finishes or different tonalities. One of the shades is slightly more reddish, which could suggest the use of a gold alloy in the final jewel. The flowers are slightly more yellow than the gold oval motif, suggesting either the use of enamel or matte gold for the manufacture of the jewel. The black pearl could have been replaced by graphite-colored enamel or by a graphite-colored glass stones, both techniques widely used at the time this drawing was created. The pendant is shown to hang from a gold coil, which would have been placed around the wearer's neck. The drawing is made over a black lithograph background inside a thin black lithograph frame.