This highly finished modello, drawn with richness of materials, was recognized as the work of Camillo Procaccini by Philip Pouncey in 1953 and identified by Nancy Ward Neilson in 1968 as a study for a painting of the same subject by Camillo in the Santuario dell'Addolorata at Rho (near Milan), datable around 1605-1609 (Neilson 1979, p. 63, fig. 142). In both the painting and the drawing the Castel Sant'Angelo seen at right identifies the place of martyrdom as Rome: the victim could be Saint Agnes. The Museum owns a second drawing for the same composition, a detailed study in red chalk for the face of the Roman soldier seen at left (acc. no. 1975.131.19).
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Morgan Library & Museum, New York. "Drawings from New York Collections, II. The Seventeenth Century in Italy," February 23, 1967–April 22, 1967.
Wynne R.H. Jeudwine Old Master Drawings Presented by W. R. Jeudwine Exh. cat. London, 1955, cat. no. 47, ill.
Old Master Drawings. Exh. cat. P. & D. Colnaghi & Co., 1956, cat. no. 8.
"Advertisement for a sale at Sotheby and Co., November 11." in The Burlington Magazine. vol. 107, November 1965, p. xxiii, ill.
Michael Jaffé collection. [Sale Catalogue]. Sotheby's, London, London, November 11, 1965, cat. no. no. 53, ill.
Jacob Bean, Felice Stampfle Drawings from New York Collections, Vol. II: The Seventeenth Century in Italy. Exh. cat. The Metropolitan Museum of Art, Morgan Library & Museum, New York, 1967, cat. no. 2, ill.
Walter Vitzthum "Review: Drawings from New York Collections, Vol. 2: The Seventeenth Century in Italy (Exh. cat., New York, MMA and PML, by Jacob Bean and Felice Stampfle, 1967)." Burlington Magazine. vol. 109, London, April 1967, p. 253.
James Byam Shaw Drawings by Old Masters at Christ Church, Oxford. Oxford, 1976, p. 299, mentioned under no. 1195, cat. no. 1190, p. 298.
Nancy Ward Neilson Camillo Procaccini. Paintings and Drawings. New York and London, 1979, fig. no. 143, p. 156.
Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 200, fig. no. 200, pp. 204-05, ill.
Frederick den Broeder Old Master Drawings from the Collection of Joseph F. McCrindle. Exh. cat. Princeton University Art Museum, Krannert Art Museum, University of Illinois; The Frick Art Museum, Pittsburgh; University of Michigan Museum of Art, Ann Arbor; Duke University Museum of Art, Durham, North Carolina. 1991, p. 89.
William M. Griswold, Linda Wolk-Simon Sixteenth Century Italian Drawings in New York Collections. Exh. cat., The Metropolitan Museum of Art (January 11 - March 27, 1994). The Metropolitan Museum of Art, New York, 1994, pp. 194-95, no. 53, cat. no. \.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.
