Visnú entronizado

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
Esta monumental estatua—la más grande en la colección surasiática del Museo—es una rara muestra del arte de la dinastía Pandya, que inició la primera gran fase de construcción de templos en la India meridional junto con la dinastía Pallava. Visnú está sentado en el trono del león, en la postura regia de relajación denominada lalitasana. Su función en el hinduismo es restablecer el orden en el mundo humano y combatir los males que amenazan la estabilidad del universo. Originalmente sostenía una caracola marina (utilizada como trompeta guerrera) en la mano superior izquierda y un disco bélico en la mano superior derecha. La mano inferior derecha se alzaba en el gesto de abhaya-mudra.

Artwork Details

Object Information
  • Título: Visnú entronizado
  • Periodo: Dinastía Pandya
  • Fecha: Segunda mitad del siglo VIII–principios del siglo IX
  • Geografía: India, Tamil Nadu
  • Material: Granito
  • Dimensiones: a. 2,97 m
  • Crédito: Compra, donación de la Fundación Charles Engelhard en memoria de Charles Engelhard, 1984
  • Número de inventario: 1984.296
  • Curatorial Department: Asian Art

Audio

Solo disponible en: English
Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

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This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

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