Vishnu entronizado

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
Esta escultura monumental—a maior da coleção sul-asiática do Museu—é uma amostra rara da arte da dinastia Pandya, a que iniciou, juntamente com a dinastia Pallava, a primeira grande fase de construção de templos na Índia meridional. Vishnu está sentado em um trono de leão na postura régia relaxada denominada lalitasana. Seu papel no hinduísmo é restaurar a ordem no mundo humano e combater os males que ameaçam a estabilidade do universo. Originalmente sustentava uma concha (usada como uma trombeta de batalha), na mão superior esquerda e um disco bélico na mão superior direita. A mão inferior direita era levantada com o gesto de abhaya-mudra.

Artwork Details

Object Information
  • Título: Vishnu entronizado
  • Período: Dinastia Pandya
  • Data: Segunda metade do século VIII–início do século IX
  • Geografia: Índia, Tamil Nadu
  • Meio: Granito
  • Dimensões: 2,97 m de altura
  • Linha de créditos: Compra, doação da The Charles Engelhard Foundation, em memória de Charles Engelhard, 1984
  • Número de acesso: 1984.296
  • Curatorial Department: Asian Art

Audio

Disponível apenas em: English
Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

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This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

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