옥좌 위 비슈누 신

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
메트로폴리탄 박물관의 남아시아 소장품 중최대 규모인 이 기념비적 조각상은 판디아 왕조의 귀한 유물입니다. 판디아 왕조는 팔라바 왕조와 더불어 남인도에서 대규모의 사원건축을 개시하였습니다. 비슈누 신은 요가의 라리타사나에서 유래하였습니다. 힌두교에서 비슈누 신의 역할은 인간 세계의 질서를 회복하고 삼라만상의 안정을 위협하는 악과 싸우는 것입니다. 제작 당시 이 상의 상부 왼손은 나각(전투 나팔로 사용됨)을, 상부 오른손은 전쟁 원반을 들고 있었으며, 하부 오른손은 시무외인(아바야무드라) 수인을 하고 있었습니다.

Artwork Details

Object Information
  • 제목: 옥좌 위 비슈누 신
  • 시대: 판디아 왕조 시대
  • 연대: 8세기 후반– 9세기 초
  • 지리: 인도, 타밀 나두,
  • 재료: 화강암
  • 크기: 높이: 2.97m
  • 크레디트 라인: 매입, 찰스 엥겔하드를 추모하여 찰스엥겔하드 재단 기증, 1984
  • 작품 번호: 1984.296
  • Curatorial Department: Asian Art

Audio

다음에서만 사용 가능: English
Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

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This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

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