Вишну на троне

second half of the 8th–early 9th century
On view at The Met Fifth Avenue in Gallery 239
Эта монументальная скульптура, самая крупная в коллекции искусства Южной Азии Музея, — редкий экземпляр эпохи правления династии Пандья, которая, совместно с династией Паллава, положила начало первому великому этапу строительства храмов в Южной Индии. Вишну восседает на троне в форме льва в расслабленной, царской позе Лалитасана. Его роль в индуизме состоит в восстановлении порядка в мире людей и борьбе со злом, угрожающим нарушить равновесие во Вселенной. Первоначально, он держал раковину (используемую как боевой горн) в верхней левой руке, а в верней правой — отражающий удары диск. Его нижняя правая рука была поднята в жесте абхайя-мудра.

Artwork Details

Object Information
  • Название: Вишну на троне
  • Период: Династия Пандья
  • Дата: вторая половина VIII–начало IX вв.
  • География: Индия, Тамил Наду
  • Материал: Гранит
  • Размер: Выс. 2,97 м
  • Благодарность: Приобретено на средства, пожертвованные фондом Чарльза Энгельхарда в память о Чарльзе Энгельхарде, 1984
  • Номер объекта: 1984.296
  • Curatorial Department: Asian Art

Audio

Доступно только в: English
Cover Image for 7950. Seated Four-Armed Vishnu, Part 1

7950. Seated Four-Armed Vishnu, Part 1

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This colossal seated figure of the god Vishnu towers more than nine feet tall. It is surely one of the largest Indian sculptures outside of India. Vishnu wears a cylindrical crown, or miter. Royal lions support the base of his throne. His left foot rests on a double lotus blossom. His missing arms and hands would have held the traditional martial attributes of Vishnu: a mace, conch shell, and war discus, or chakra.

The sculptures in earlier galleries all came from north India. This image is from the southern tip of India: an area never influenced by Gupta-period traditions. The relaxed pose and broad, plain surfaces are typical of the monumental Hindu sculptures carved from the sixth to the tenth centuries, under the Pandya dynasty. Many Pandya figures were carved directly into cliffs and other natural rock formations. Nearby you’ll see another Pandya-dynasty sculpture from the same period. Most Hindu gods rode upon animal vehicles. This seated figure had the wings of a bird—the tips have been broken off. This is Garuda: a mythological creature, half-man, half-bird, who transported Vishnu through the air.

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