A wealthy banker, Pierre Crozat (1661-1740) was one of the foremost collectors of drawings in the eighteenth century. He befriended Watteau, offering him commissions, housing, and access to his collection. Watteau was entranced with the sixteenth-century Venetian landscape drawings he found there and copied many of them. In this case, the original drawing by Domenico Campagnola (1500–1564) is also in the collection of the Museum (1972.118.243). Although he is faithful to Campagnola's composition, Watteau substituted his preferred medium, red chalk, for the Venetian's pen and brown ink.
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Artist: After Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua)
Date:ca. 1715
Medium:Red chalk; framing lines in pen and brown ink
Dimensions:8 1/8 x 12 1/2 in. (20.6 x 31.8 cm)
Classification:Drawings
Credit Line:Bequest of Walter C. Baker, 1971
Accession Number:1972.118.237
Walter C. Baker (American); André de Hevesy (French)sale, London, Sotheby's, April 25, 1951, lot 70 (bought in by Hevesy for 220 pounds).; Mathias Komor
New York. The Metropolitan Museum of Art. "The Walter C. Baker Collection of Drawings," June 2–September 4, 1960.
The Drawing Center. "Creative Copies: Interpretive Drawings from Michelangelo to Picasso," April 9, 1988–July 23, 1988.
New York. The Metropolitan Museum of Art. "Eighteenth-Century French Drawings in New York Collections," February 3–April 25, 1999.
Musée des Beaux-Arts de Valenciennes. "Rêveries italiennes," September 25, 2015–January 17, 2016.
Bean and Turcic 1986.334; Rosenberg and Prat 1996.341 (vol. I)
Karl Theodore Parker "Sidelights on Watteau." Old Master Drawings. vol. 10, London, 1935, pl. 7, p. 8, ill.
Karl Theodore Parker, Jacques Mathey Antoine Watteau: Catalogue complet de son oeuvre dessiné. Paris, 1957, cat. no. 439, p. 58, ill.
Claus Virch "The Walter C. Baker Collection of Master Drawings." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 18, no. 10, New York, June 1960, p. 315.
Claus Virch Master Drawings in the Collection of Walter C. Baker. New York: The Metropolitan Museum of Art, 1962, cat. no. 72, p. 43, ill.
Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 40 (under).
Margaret Morgan Grasselli, Pierre Rosenberg Watteau, 1684-1721. Ex. cat. National Gallery of Art, Washington D.C., Washington, 1984, cat. no. D140, p. 222, ill.
Jacob Bean, Lawrence Turčić 15th-18th Century French Drawings in The Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1986, cat. no. 334, p. 298, ill.
Egbert Haverkamp-Begemann Creative Copies, Interpretative Drawings from Michelangelo to Picasso. Exh. cat. The Metropolitan Museum of Art, New York, 1988, cat. no. 41, pp. 146-148, ill.
Claude to Corot. The Development of Landscape Painting in France. Ex. cat. Edited by Alan Wintermute, Colnaghi, New York, New York, November 1-December 15, 1990, fig. no. 8, p. 103, ill.
Martin P. Eidelberg "Watteau's Italian Reveries" Gazette des Beaux-Arts. vol. 126, no. 1521, Paris, 1995, pp. 114-115, 134.
Pierre Rosenberg, Louis-Antoine Prat Antoine Watteau 1684-1721: Catalogue raisonné des dessins. Milan, 1996, cat. no. 341 (Vol. I), pp. 546-547, ill.
Perrin Stein, Mary Tavener Holmes Eighteenth-Century French Drawings in New York Collections Exh. cat. The Metropolitan Museum of Art, New York, 1999, cat. no. 5, pp. 10-12, ill.
Alan Wintermute, The Frick Collection, National Gallery of Canada Watteau and His World: French Drawings from 1700-1750. Exh. cat. 1999-2000, p. 22.
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The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.
