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1-42 of 63 results for Fujiwara no Sadanobu
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Poems from the Collection of Lady Ise (Ise shū), from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire), Fujiwara no Sadanobu Japanese, Page from a bound booklet mounted as a hanging scroll; ink on decorated paper, Japan
Poems from the Collection of Lady Ise (Ise shū), from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire)
Fujiwara no Sadanobu
ca. 1112
Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire) , Fujiwara no Sadanobu Japanese, Page from a bound booklet mounted as a hanging scroll; ink on paper decorated with silver, Japan

Poems from Collection of Ki no Tsurayuki (Tsurayuki shū), Latter Part, from the Nishi-Honganji Anthology of Thirty-Six Poets, also known as one of the Ishiyama fragments (Ishiyama-gire)

Fujiwara no Sadanobu
ca. 1112
Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire), Fujiwara no Mototoshi Japanese, Hanging scroll; ink on paper with gold and silver flecks, Japan
Poems about the Arrival of Autumn, from Newly Selected Collection of Poems to Sing (Shinsen rōeishū), one of the “Yamana Fragments” (Yamana-gire)
Fujiwara no Mototoshi
ca. 1116–22
Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū) , Fujiwara no Tameyori Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan

Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū)

Calligrapher Traditionally attributed to Fujiwara no Tameyori
13th century
Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire), Fujiwara no Sadayori Japanese, Page from a bound booklet mounted as a hanging scroll; ink on mica paper with gold flecks, Japan
Two Poems about Palace Gossip, one of the “Ōe Fragments” (Ōe-gire)
Traditionally attributed to Fujiwara no Sadayori
early 12th century
Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi, Fujiwara no Nobuzane Japanese, Section of a handscroll mounted as a hanging scroll; ink on paper, Japan
Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi
Calligrapher Calligraphy attributed to Fujiwara no Nobuzane
13th century
Manuscript of Waka Poems, Fujiwara no Teika (Sadaie) Japanese, Hanging scroll; ink on paper, Japan
Manuscript of Waka Poems
Fujiwara no Teika (Sadaie)
first half 13th century
Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”, Fujiwara no Yukinari Japanese, Page from a bound booklet mounted as a hanging scroll; ink on dyed paper, Japan
Poems about Plum Blossoms, from the “Sekido-bon Version of Collection of Poems Ancient and Modern”
Traditionally attributed to Fujiwara no Yukinari
mid- to late 11th century
Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation", Fujiwara no Yukinari (Kōzei) Japanese, Handscroll section mounted as a hanging scroll; ink on paper, Japan
Excerpt from Bai Juyi's "Autobiography of a Master of Drunken Poetry Recitation"
Fujiwara no Yukinari (Kōzei)
early 11th century
Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire), Fujiwara no Norinaga Japanese, Page from a booklet, mounted as hanging scroll; ink on paper, Japan
Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), known as the “Imaki Fragment” (Imaki-gire)
Fujiwara no Norinaga
12th century
Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire), Fujiwara no Sadayori Japanese, Page from book, mounted as hanging scroll; ink on paper, Japan
Three poems from the “Later Collection of Japanese Poems” (Gosen wakashū), known as the “Karasumaru Fragment” (Karasumaru-gire)
Traditionally attributed to Fujiwara no Sadayori
early 12th century
Blade for a Sword (Katana), Etchū no kami Fujiwara Takahira Japanese, Steel, Japanese
Blade for a Sword (Katana)
Swordsmith Inscribed Etchū no kami Fujiwara Takahira
dated June 1622
Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire), Fujiwara no Yukinari (Kōzei) Japanese, Page from a booklet mounted as a hanging scroll; ink on paper, Japan
Three Poems from the Collection of Poems Ancient and Modern (Kokin wakashū), one of the Araki Fragments (Araki-gire)
Attributed to Fujiwara no Yukinari (Kōzei)
11th century
One Round from a Poetry Contest, Fujiwara no Teika (Sadaie) Japanese, Hanging scroll; ink on paper, Japan
One Round from a Poetry Contest
Fujiwara no Teika (Sadaie)
late 12th century
Fujiwara no Kamatari as a Shinto Deity, Hanging scroll; color on silk, Japan
Fujiwara no Kamatari as a Shinto Deity
Japan
after 1350
The Fujiwara Chapter (Fujiwara no maki) 藤原の巻, Book; ink, color, gold paint, and gold-flecks on paper (Nara ehon), Japan
The Fujiwara Chapter (Fujiwara no maki) 藤原の巻
Japan
ca. 1661–72
A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire), Fujiwara Akisuke Japanese, Section of a page from a bound booklet mounted as a hanging scroll; ink on paper patterned with mica powder, Japan
A Poem of Lament, one of the “Uzura Fragments” (Uzura-gire)
Traditionally attributed to Fujiwara Akisuke
13th century
Four Poems from the Sekido Version of the Collection of Poems Ancient and Modern (Sekido-bon Kokin wakashū) , Fujiwara no Yukinari 藤原行成 Japanese, Two pages from a booklet mounted as hanging scroll; ink on dyed paper, Japan

Four Poems from the Sekido Version of the Collection of Poems Ancient and Modern (Sekido-bon Kokin wakashū)

Traditionally attributed to Fujiwara no Yukinari 藤原行成
mid- to late 11th century
Poem by Fujiwara no Ietaka (1158–1237) on Decorated Paper with Bush Clover, Ogata Sōken Japanese, Poem card (shikishi) mounted as a hanging scroll; ink and gold on paper, Japan
Poem by Fujiwara no Ietaka (1158–1237) on Decorated Paper with Bush Clover
Ogata Sōken
mid- to late 17th century
Writing Box with Portrait of Fujiwara no Ietaka and His Poem about the Tatsuta River, Lacquered wood with gold and silver hiramaki-e, togidashimaki-e, and red lacquer on silver ground, Japan
Writing Box with Portrait of Fujiwara no Ietaka and His Poem about the Tatsuta River
Japan
18th century
Poem by Fujiwara no Motozane (ca. 860) from the Series Thirty-Six Poets, Suzuki Harunobu Japanese, Woodblock print; ink and color on paper with embossing (karazuri), Japan
Poem by Fujiwara no Motozane (ca. 860) from the Series Thirty-Six Poets
Suzuki Harunobu
ca. 1768
Fujiwara no Teika’s “Poems on Flowers and Birds of the Twelve Months”, Handscroll; ink and color on paper, Japan
Fujiwara no Teika’s “Poems on Flowers and Birds of the Twelve Months”
Japan
18th century
Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū), Konoe Sakihisa 近衛前久 Japanese, Handscroll section mounted as hanging scroll; ink on dyed and decorated paper, Japan
Chinese Couplet by Bai Juyi and Waka by Fujiwara no Toshiyuki (partial) from “Japanese and Chinese Poems to Sing” (Wakan rōeishū)
Konoe Sakihisa 近衛前久
late 16th–early 17th century
The Actor Arashi Rikaku II as Isogai Tōsuke, from the series Lives of Men who Carried Out Revenge for Loyalty or Filial Piety, Hasegawa Sadanobu 長谷川貞信 Japanese, Woodblock print (nishiki-e); ink and color on paper; vertical chūban, Japan
The Actor Arashi Rikaku II as Isogai Tōsuke, from the series Lives of Men who Carried Out Revenge for Loyalty or Filial Piety
Hasegawa Sadanobu 長谷川貞信
1848
Poem by Fujiwara no Okikaze with Underpainting of Clematis , Shōkadō Shōjō 松花堂昭乗 Japanese, Hanging scroll; ink, gold, and silver on colored paper, Japan

Poem by Fujiwara no Okikaze with Underpainting of Clematis

Calligraphy by Shōkadō Shōjō 松花堂昭乗
Underpainting attributed to Tawaraya Sōtatsu 俵屋宗達
early 17th century
Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan
Poem by Fujiwara no Michinobu Ason, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1760–1845
Manuscript Version of “Fundamentals of Poetic Composition” (Eiga taigai), compiled by Fujiwara no Teika (1162–1241), Konoe Taneie Japanese, Book of 102 waka by various poets; ink on paper, Japan
Manuscript Version of “Fundamentals of Poetic Composition” (Eiga taigai), compiled by Fujiwara no Teika (1162–1241)
Calligrapher Konoe Taneie
1531
“Fourth Month” from Fujiwara no Teika’s “Birds and Flowers of the Twelve Months” , Ogata Kenzan Japanese, Hanging scroll; ink and color on paper, Japan

“Fourth Month” from Fujiwara no Teika’s “Birds and Flowers of the Twelve Months”

Ogata Kenzan
1743
Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets), Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan
Koshikibu no Naishi (999–1025), from "Hyakunin Isshu" (One Hundred Poems by One Hundred Poets)
Suzuki Harunobu
ca. 1768
The Jewel River at Chōfu (Chōfu no Tamagawa), Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan
The Jewel River at Chōfu (Chōfu no Tamagawa)
Suzuki Harunobu
ca. 1768
The Thirty-Six Poetic Immortals, Studio of Kano Takanobu Japanese, Pair of six-panel folding screens; ink, color, gold, and silver on paper, Japan
The Thirty-Six Poetic Immortals
Painting by Studio of Kano Takanobu
Inscriptions by Konoe Nobutada
early 17th century
Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu), Utagawa Kunisada Japanese, Woodblock print (nishiki-e); vertical ōban; ink and color on paper, Japan
Bun’ya no Asayasu (no. 36), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Bun'ya no Asayasu)
Utagawa Kunisada
ca. 1844
Poem by Gon-Chūnagon Sadaie, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan
Poem by Gon-Chūnagon Sadaie, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki)
Katsushika Hokusai
1760–1849
The First Day of Spring (Risshun), from the series Fashionable Poetic Immortals of the Four Seasons (Fūzoku shiki Kasen), Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan
The First Day of Spring (Risshun), from the series Fashionable Poetic Immortals of the Four Seasons (Fūzoku shiki Kasen)
Suzuki Harunobu
ca. 1768
The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals, Iwasa Matabei Japanese, Hanging scroll; ink, color, gold and silver on paper, Japan
The Poet Mibu no Tadamine, from a set of album leaves illustrating The Thirty-six Poetic Immortals
Iwasa Matabei
early 17th century
Waves at Suminoe, Nakamura Takuo 中村卓夫 Japanese, Stoneware with polychrome overglaze and gold decoration, Japan
Waves at Suminoe
Nakamura Takuo 中村卓夫
2012
A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen), Suzuki Harunobu Japanese, Woodblock print; ink and color on paper, Japan
A Young Woman and Man Playing Shōgi (Japanese Chess); Chūnagon Kanesuke, from a series alluding to the Thirty-Six Poetic Immortals (Sanjūrokkasen)
Suzuki Harunobu
ca. 1767–69
Two Poems from One Hundred Poems by One Hundred Poets, Hon'ami Kōetsu Japanese, Section of handscroll mounted as a hanging scrolll; ink, silver, and gold on paper, Japan
Two Poems from One Hundred Poems by One Hundred Poets
Calligraphy by Hon'ami Kōetsu
Painting by Tawaraya Sōtatsu
ca. 1615–20
The Poet Fujiwara Kiyotada, from the “Narikane Version” of Thirty-six Poetic Immortals, Unidentified artist Japanese, Section of a handscroll mounted as a hanging scroll; ink and color on paper, Japan
The Poet Fujiwara Kiyotada, from the “Narikane Version” of Thirty-six Poetic Immortals
Unidentified artist
13th century
The Poet Koōgimi, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)l, Handscroll fragment mounted as a hanging scroll; ink and color on paper, Japan
The Poet Koōgimi, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)l
Japan
15th century
Teika’s Ten Styles of Japanese Poetry, Unidentified Artist, Album of ten leaves; ink and color on paper, Japan
Teika’s Ten Styles of Japanese Poetry
Unidentified
early 18th century
Album of Japanese and Chinese Poems to Sing, Konoe Nobutada Japanese, Album of thirty-six leaves; each on gold, silver, or colored decorated paper, Japan
Album of Japanese and Chinese Poems to Sing
Calligraphy by Konoe Nobutada
early 17th century