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13 verso
14 recto
651
1911 jaro (22x30) plátno, olej
Z doby mé mandolíny. Co světla!
effektní věc (tout êclat du pont neuf)
běl, okr, hněď, šeď, červ[eň]
Stromy jasná zeleň a žluť (síra)
Částečně opět skvrny.
Zhuštěná věc.
1
The Pont Neuf, 1911. Oil on canvas, 13 x 9 1/2 in. (33 x 24 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 401
58
1911 22x30 plátno, olej
Jemné, mírné světlo. Krásné formy.
Krásná věc.
Šeď, okr s Sienou, hněď, čerň, běl
Skvrny splývají. Jemně malováno
Světlo se chvěje. Delikatní.
623
1911 plátno, olej
roztomilé. Z doby co 58.
Okr do rezava, šeď, čerň, hněď.
Sfumato krásné. Svěží,
Krásné tony, sytější než 58
Báječný je krajíc v předu.
Zdánlivá větší realita jsou
fakticky plány
Salám naříznutý má červenavou
barvu, vzadu žluté Kůže šedivá
Ocel šedivá. Sklo šedivé, kurka
hnědá, [s]třída chleba bílá
3
The Sausage, 1912. Oil on canvas, 9 1/2 x 13 3/4 in. (24 x 35 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 474
13 verso
14 recto
651
1911 spring (22x30) canvas, oil
From era of my mandolin. So much light!
piece for effect (tout éclat du pont neuf)2
white, ocher, brown, gray, r[ed]
Trees bright green and yellow (sulfur)
Again partially spotted.
Densely packed piece.
1
The Pont Neuf, 1911. Oil on canvas, 13 x 9 1/2 in. (33 x 24 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 401
2
French. The Pont Neuf all in splinters.
58
1911 22 x 30 canvas, oil
Subtle, mild light. Beautiful forms.
Beautiful piece.
Gray, ocher with sienna, brown, black, white
Spots merge. Subtly painted
Light trembles. Delicate.
623
1911 canvas, oil
endearing. Same era as 58.
Rusty ocher, gray, black, brown.
Sfumato beautiful. Fresh,
Beautiful tones, more saturated than 58
Slice in front is marvelous.
Seemingly greater reality is
in fact planes
Sliced salami has reddish
color, yellow in back Skin gray
Steel gray. Glass gray, crust
brown, bread [c]rumb white
3
The Sausage, 1912. Oil on canvas, 9 1/2 x 13 3/4 in. (24 x 35 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 474
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