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15 verso
751
Fialová vládne na plánu za
nádobou v pravo. {Barva místy pastosně.} Pak je v levo od
ní za V a R a dole za RE
Zeleň (jasná Veronese v levo od V
v pravo podel rohu Místy střídmá
zeleň a fialová, nebo mísení.
Chiaroscuro, světlo silné, linie,
barva. Vzor dřeva
Šedivá ocel nože báječná
Barevné plány
Hotel modř na žlutavě prosyceném plátně
1
The Fruit Dish, 1912. Oil on canvas, 21 3/4 x 15 in. (55.2 x 38.1 cm). The Metropolitan Museum of Art, New York, Promised Gift from the Leonard A. Lauder Cubist Collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 475
16 recto
691
1911‒12 jaro
kresba duben 1910.
kolorit temný: hněď, čerň, žluť
šeď, běl
Asi dříve již malován, a dokončen
1912. široce místy, a teplé barvy
hnědočervené
Místy jemné skvrny rozetřeny, jinde
pastos.[ní] (více vrstev na sobě)
Místy ony neklidné skvrny
Z 1910 (kraje světlé)
Kontury černé.
místy plátno volné.
Kolorit hodný Rembrandta jako
73 (toto svěžejší, světlejší, teplejší,
69 ponuré, ale citlivý. Prvý
dojem suchý dost, a nedůsledný
(dokončen asi co 66
1
Woman with a Guitar (“Ma Jolie”), 1911‒12. Oil on canvas, 39 3/8 x 25 3/8 in. (100 x 64.5 cm). The Museum of Modern Art, New York, Acquired through the Lillie P. Bliss Bequest (by exchange). Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 430
662
(ovál malý)
Malován široce. Pěkné, ucelené
Šeď, čerň, okr, hněď, běl
Zde skvrny 1911. do sebe.
saftig
2
Guitar, 1912. Oil on canvas, 25 1/4 x 35 1/2 (64 x 90 cm). Private collection.
15 verso
751
Purple dominates on plane behind
vessel at right. {Paint in places impastoed.} Then also to left of
it behind V and R and down behind RE
Green (bright Veronese to left of V
at right along edge In places moderate
green and purple, or blend.
Chiaroscuro, light strong, lines,
color. Wood pattern
Gray steel of knife marvelous
Color planes
Hotel blue on yellowish saturated canvas
1
The Fruit Dish, 1912. Oil on canvas, 21 3/4 x 15 in. (55.2 x 38.1 cm). The Metropolitan Museum of Art, New York, Promised Gift from the Leonard A. Lauder Cubist Collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 475
16 recto
691
1911‒12 spring
drawing April 1910.
coloration dark: brown, black, yellow
gray, white
Probably painted earlier, and completed
1912. broadly in places, and warm colors
brown red
In some places delicate spots spread about, others
impas.[toed] (multiple layers atop one another)
In places those restless spots
Of 1910 (edges bright)
Contours black.
in places canvas empty.
Coloration worthy of Rembrandt as in
73 (this one fresher, lighter, warmer,
69 gloomy, but sensitive. First
impression quite dry, and haphazard
(completed probably same time as 66
1
Woman with a Guitar (“Ma Jolie”), 1911‒12. Oil on canvas, 39 3/8 x 25 3/8 in. (100 x 64.5 cm). The Museum of Modern Art, New York, Acquired through the Lillie P. Bliss Bequest (by exchange). Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 430
662
(small oval)
painted broadly. Nice, compact
Gray, black, ocher, brown, white
Here spots of 1911. run into one another.
saftig3
2
Guitar, 1912. Oil on canvas, 25 1/4 x 35 1/2 (64 x 90 cm). Private collection.
3
German. Lush or juicy.
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