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22 verso
23 recto
541
1910 jaro.
Krásný, vážný kus hlubokých tonů a
dramatické síly.
Veliký krok od 52. Světelné
plány jsou už z větší části tvůrčí
činitelé. Kříží se, a také prostor,
volumen. Oko v levo
je ve stínu příčného plánu
Oko v pravo je také
přes svislý roh plánů
jdoucího do hloubky. Též nos
Barvy: čerň, šeď, Siena pál[ená] {lomená} okrem
trochu rozetřelé smaragdové světlé s
šedí, jinde s černí tmavé, okr,
a kombinace
1
Head of a Woman (Fernande), 1910. Oil on canvas, 24 x 19 3/4 in. (61 x 50 cm). Museo Nacional Centro de Reina Sofia, Madrid. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 325
522
(1909) je materielní proti tomu
plány kryjí se většinou s materielním
povrchem obličeje. Ale počátky tu
jsou obr[az] 54.: čelo v pravo
Proti 54 titěrný, detaily natura-
listické (ústa!) Mnohá spíše
stilisace.
Krásná záclona v pravo, zelená sytě
se stíny šedými do červena V levo
báječně šedé. Zátiší na Siena
stole trochu „flau“ Úžasně
roste hlava z těla obrovského.
Monumentální věc
2
Woman with Pears, 1909. Oil on canvas, 36 1/4 x 27 7/8 in. (92.1 x 70.8 cm). The Museum of Modern Art, New York, Florene May Schoenborn Bequest. Illustrated in Ausstellung Pablo Picasso, exh. cat. (Munich: Moderne Galerie Heinrich Thannhauser, 1913), no. 52
22 verso
23 recto
541
1910 spring.
Beautiful, serious piece of deep tones and
dramatic power.
Giant step from 52. Luminous
planes are now for the most part constructive
agents. Intersect one another, and also space,
volume. Eye on left
is in shadow of crosswise plane
Eye on right also
over vertical edge of plane
giving depth. Likewise nose
Colors: black, gray, b.[urnt] sienna {cut} with ocher
somewhat spread-about light emerald with
gray, elsewhere with dark black, ocher,
and combination
1
Head of a Woman (Fernande), 1910. Oil on canvas, 24 x 19 3/4 in. (61 x 50 cm). Museo Nacional Centro de Reina Sofia, Madrid. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 325
522
(1909) is material by comparison
planes mostly coincide with material
surface of face. But there are beginnings
here of pic[ture] 54.: forehead on right
Compared to 54 trifling, details natural-
istic (mouth!) Rather much
stylization.
Beautiful curtain at right, green saturated
with gray-reddish shadows At left
marvelously gray. Still life on sienna
table somewhat “flau”3 Astonishing
how head grows out of gigantic body.
Monumental piece
2
Woman with Pears, 1909. Oil on canvas, 36 1/4 x 27 7/8 in. (92.1 x 70.8 cm). The Museum of Modern Art, New York, Florene May Schoenborn Bequest. Illustrated in Ausstellung Pablo Picasso, exh. cat. (Munich: Moderne Galerie Heinrich Thannhauser, 1913), no. 52
3
German. Dull, flat, or spiritless.
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