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20 verso
73
Všechny techniky co Citeristka
Černé kontury plánů.
Žlutavá střenka nože (kost?)
ocel šedavá.
Skvrny co 1910‒11, ale i široce.
Dokonalé a přece svěží.
Realisace
21 recto
691
plátno, olej
asi už 1910, ale dokončen či malován
1911 jaro. Jistý rozpor. Nic nechce
se líbit, skoro suchý, možno že jeden
z krásných
Šeď, běl, čerň, okr, Siena, hněď
Celkový dojem hnědočerný a bílý.
Technika skvrnitá, jinde rozetřená
jemně, jinde plátno, jinde pastos[ní]
barva
Průhledné plány. (ne všechny)
krásné poprsí co 1910
Lepší než 64 Prostor.
1
Woman with a Guitar (“Ma Jolie”), 1911‒12. Oil on canvas, 39 3/8 x 25 3/8 in. (100 x 64.5 cm). The Museum of Modern Art, New York, Acquired through the Lillie P. Bliss Bequest (by exchange). Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 430
602
1911
vzdušný co Renoir.
Velmi citlivě skvrnitě, místy mnoho
plátna. Barva řídká. Skvrny
mají temnější okraje
Běl, šeď, čerň, okr, trocha Sieny
hněď.
2
Vase of Flowers, 1910‒11. Oil on canvas, 13 x 9 1/2 in. (33 x 24 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 377
593
1911
samé plány; Realitu připomíná
obsah láhví. Olej! Kontrast
k ostrému octu.
Krásná věcička. Plno světla.
a prostoru.
3
The Cruet, 1911. Oil on canvas, 9 1/2 x 7 5/8 in. (24.1 x 19.2 cm). Sold Christie’s New York: May 15, 2018 (lot 20A). Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 370
20 verso
73
All the techniques of Woman with Zither
Black contours of planes.
Yellowish knife handle (bone?)
steel gray.
Spots as in 1910‒11, but also broadly.
Perfect and yet fresh.
Realization
21 recto
691
canvas, oil
probably already 1910, but completed or painted
1911 spring. Some conflict. Nothing trying
to please, almost dry, possibly one
of the beautiful
Gray, white, black, ocher, sienna, brown
Overall impression brown-black and white.
Spot technique, elsewhere spread about
delicately, elsewhere canvas, elsewhere impas[toed]
paint
Transparent planes. (not all)
beautiful bust like 1910
Better than 64 Space.
1
Woman with a Guitar (“Ma Jolie”), 1911‒12. Oil on canvas, 39 3/8 x 25 3/8 in. (100 x 64.5 cm). The Museum of Modern Art, New York, Acquired through the Lillie P. Bliss Bequest (by exchange). Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 430
602
1911
airy like Renoir.
Very sensitively spotted, in places a great deal
of canvas. Paint thin. Spots
have darker edges
White, gray, black, ocher, bit of sienna
brown.
2
Vase of Flowers, 1910‒11. Oil on canvas, 13 x 9 1/2 in. (33 x 24 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 377
593
1911
nothing but planes; Bottle contents
suggestive of reality. Oil! Contrast
with sharp vinegar.
Beautiful little piece. Full of light.
and space.
3
The Cruet, 1911. Oil on canvas, 9 1/2 x 7 5/8 in. (24.1 x 19.2 cm). Sold Christie’s New York: May 15, 2018 (lot 20A). Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 370
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