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8 verso
371
Tělo ztočeno, aby prostor byl
sugerován. Plastika.
1
Nude Woman on a Bed, 1907. Oil on wood panel, 14 3/8 x 15 in. (36.5 x 38 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 77
302
Kytice plasticky z barev
různých: světle a temně fialová, zeleň
smaragdová a Veronese, růžová.
Červené kontury. Čáry příčné černé
nebo šedivé.
tmavá žlutá plocha je ulice?
Chodník v pravo, černě, modře, žlutě
a zeleně čarován. Stojí tu lampy
a [nečitelný]
Mnoho světla.
Barvy částečně přímo z tuby.
Zde se učil Herbin. Z toho
[nečitelný] mrtvé věci.
2
Vase of Flowers, 1908. Oil on canvas, 36 1/4 x 28 3/4 in. (92.1 x 73 cm). The Museum of Modern Art, New York, Gift of Mr. and Mrs. Ralph F. Colin. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 70
9 recto
441
1907 konec (plátno, olej)
vystaven z okru, Sieny pál[ené] a Berlín [modř]
malován silně a ne tak suše co
obyčejně 1907.
Čelo ještě rozděleno a čarováno Sienou
Plasticky už silně.
1
Woman’s Head, 1908. Oil on canvas, 29 x 23 7/8 in. (73.6 x 60.6 cm). The Museum of Modern Art, New York, Florene May Schoenborn Bequest.
422
poč.[átek] 1908 (papír, aquarel, gouache)
Zde už také od barvy k plastice
světlu a hlavně plastice.
Rozkládáné v pravidelné tvary dané
strukturou těla (skoro stilisace)
Světlo a stíny rozděleny čistě obrazově
ne naturalisticky. Trojúhelníky a
segmenty koule dle potřeby komposiční
rudé, šedé, žlutavé, hnědé.
Pozadí šedé, rudé a žluté, hnědě, lachsrosa
čarované. Mnoho světla.
úžasně skvělý, transparentní
aquarel.
Krk co válec.
Vše v r[oce] 1907 je ploché proti tomu.
2
Female Torso, 1908. Gouache on paper, 24 5/8 x 18 3/4 in. (62.6 x 47.6 cm). San Francisco Museum of Modern Art, Millennium Gift of Sara Lee Corporation.
393
poč[átek] 1908 (papír, aquarel)
Krajinný pendant k 42, ale ne tolik {světla. (Zde barva)}
Berlín [modř], {světlá a tmavá} siena pál[ená], okr.
Strany krystalů.
Nesmírně brilantní, hluboký
kolorit
3
Landscape, 1908. Gouache and charcoal on paper, 18 5/8 x 24 1/4 in. (47.3 x 61.6 cm). The Metropolitan Museum of Art, New York, Leonard A. Lauder Cubist Collection, Purchase, Leonard A. Lauder Gift, 2014, 2014.464. Identification: Susan Grace Galassi and Marilyn McCully, Picasso’s Drawings, 1890–1921: Reinventing Tradition, exh. cat. (New York: Frick Collection, 2011), no. 37
8 verso
371
Body twisted so that space is
suggested. Sculpture.
1
Nude Woman on a Bed, 1907. Oil on wood panel, 14 3/8 x 15 in. (36.5 x 38 cm). Private collection. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 77
302
Bouquet sculptural from various
colors: light and dark purple, emerald
and Veronese green, rose.
Red contours. Crosswise lines black
or gray.
is dark yellow area street?
Sidewalk on right, black, blue, yellow
and green lines. There are lamps
and [illegible]
Great deal of light.
Colors partially straight from tube.
Herbin learned here. From this
[illegible] dead thing[s?].
2
Vase of Flowers, 1908. Oil on canvas, 36 1/4 x 28 3/4 in. (92.1 x 73 cm). The Museum of Modern Art, New York, Gift of Mr. and Mrs. Ralph F. Colin. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 70
9 recto
441
1907 end (canvas, oil)
built up from ocher, bur[nt] sienna and Berlin [blue]
painted heavily and not as drily as
usual for 1907.
Forehead still divided and striped with sienna
Now strongly sculptural.
1
Woman’s Head, 1908. Oil on canvas, 29 x 23 7/8 in. (73.6 x 60.6 cm). The Museum of Modern Art, New York, Florene May Schoenborn Bequest.
422
beg.[inning] 1908 (paper, watercolor, gouache)
Here too from color to sculpture
light and especially sculpture.
Broken up into geometric shapes determined
by structure of body (almost stylized)
Light and shadows divided purely pictorially
not in a naturalistic way. Triangles and
segments of sphere according to compositional needs
red, gray, yellowish, brown.
Background gray, red and yellow, brown, salmon pink
hatched. Great deal of light.
astonishingly brilliant, transparent
watercolor.
Neck like cylinder.
Everything in y[ear]1907 is flat compared to this.
2
Female Torso, 1908. Gouache on paper, 24 5/8 x 18 3/4 in. (62.6 x 47.6 cm). San Francisco Museum of Modern Art, Millennium Gift of Sara Lee Corporation.
393
beg[inning] 1908 (paper, watercolor)
Landscape pendant for 42, but not as much {light. (Here color)}
Berlin [blue], {light and dark} bur[nt] sienna, ocher.
Edges of crystals.
Extremely lustrous, deep
coloration
3
Landscape, 1908. Gouache and charcoal on paper, 18 5/8 x 24 1/4 in. (47.3 x 61.6 cm). The Metropolitan Museum of Art, New York, Leonard A. Lauder Cubist Collection, Purchase, Leonard A. Lauder Gift, 2014, 2014.464. Identification: Susan Grace Galassi and Marilyn McCully, Picasso’s Drawings, 1890–1921: Reinventing Tradition, exh. cat. (New York: Frick Collection, 2011), no. 37
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